Fixed validation errors.
2000-11-01 Aaron Weber <aaron@helixcode.com> * C/config-prefs.sgml: Fixed validation errors. * C/apx-gloss.sgml: Fixed HTML, style stuff. * C/usage-mail.sgml: Stylistic overhaul. * C/usage-mainwindow.sgml: Fixed groups in shortcut bar, fixed folder navigation tips. 2000-10-31 Aaron Weber <aaron@helixcode.com> * C/preface.sgml: Minor stylistic revisions. 2000-10-30 Aaron Weber <aaron@helixcode.com> * COPYING-DOCS: New file. This is the official place to put the FDL now. svn path=/trunk/; revision=6334
This commit is contained in:
@ -158,10 +158,10 @@
|
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<glossterm>HTML</glossterm>
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||||
<glossdef>
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||||
<para>
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||||
Hyper-text Markup Language(<acronym>HTML</acronym>) is the layout
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language which all web pages are written in. HTML can be used
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||||
inside of e-mails to insert images, justify text different ways,
|
||||
and even include web pages inside the e-mail itself.
|
||||
Hyper-text Markup Language(<acronym>HTML</acronym>) is a language
|
||||
for describing page layout in electronic documents like web pages,
|
||||
help files, and email messages. HTML can be used in email and
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||||
news posts to insert images and apply text treatments.
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||||
</para>
|
||||
</glossdef>
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||||
</glossentry>
|
||||
|
||||
@ -624,6 +624,9 @@
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||||
<listitem><para>
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||||
<guilabel>Root DN</guilabel> — enter the root DN here.
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||||
</para></listitem>
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||||
</itemizedlist>
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||||
</para>
|
||||
</sect2>
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||||
</sect1>
|
||||
|
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@ -19,6 +19,35 @@
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you'd rather deal with your email preferences later, click
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<guibutton>Cancel</guibutton>.
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</para>
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||||
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<!--
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||||
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||||
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Before you get it, though, you should decide where you want to
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keep it. Your options will vary a little depending on your
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network setup, but they come down to storing the mail on your
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hard disk (using <glossterm linkend="pop">POP</glossterm>), or
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storing it on the network (using <glossterm
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||||
linkend="imap">IMAP</glossterm>). If you store your mail on
|
||||
your local hard disk, you can read it whether you're online or
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||||
not, but you can only read it from one computer. If you store
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||||
it on the network, you can only read it when you're online,
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but you can access it from almost any computer with a network
|
||||
connection, even if it doesn't have
|
||||
<application>Evolution</application>.
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|
||||
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If you choose POP, you'll be putting mail in the
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<guilabel>Inbox</guilabel> in the <guilabel>Local</guilabel>
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||||
folder. If you choose IMAP, it's the
|
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<guilabel>Inbox</guilabel> of a folder with the same name as
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your mail server. That's so you can maintain several distinct
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IMAP servers if you want. See <xref
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linkend="config-prefs-mail"> for more information about mail
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servers.
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-->
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<para>
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||||
The setup assistant (sometimes called a
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<glossterm>Druid</glossterm>, by analogy with the "Wizards"
|
||||
|
||||
@ -15,10 +15,11 @@
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||||
<application>Evolution</application>'s goal is to make the
|
||||
tasks of storing, organizing, and retrieving information
|
||||
easier, so you can work and communicate with others. That is,
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it's a more evolved <glossterm linkend="groupware">groupware</glossterm> program,
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||||
an integral part of the Internet-connected desktop. On the
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inside, it's a powerful database; on the outside, it's a tool
|
||||
to help you get your work done.
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it's a highly evolved <glossterm
|
||||
linkend="groupware">groupware</glossterm> program, an integral
|
||||
part of the Internet-connected desktop. On the inside, it's a
|
||||
powerful database; on the outside, it's a tool to help you get
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your work done.
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||||
</para>
|
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<para>
|
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Because it's part of the GNOME project,
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@ -58,15 +59,15 @@
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power and flexibility of the GNOME desktop environment.
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</para>
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<para>
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The developers of <application>Evolution</application> had
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four major goals for their project:
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The <application>Evolution</application> project has four
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central goals:
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|
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<itemizedlist>
|
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<listitem>
|
||||
<para>
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||||
The application must be <emphasis>both powerful and easy
|
||||
to use</emphasis>. That means a familiar and intuitive
|
||||
interface that users could customize to their liking, and
|
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interface that users can customize to their liking, and
|
||||
the development of shortcuts for complex tasks.
|
||||
</para>
|
||||
</listitem>
|
||||
@ -74,10 +75,10 @@
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||||
<para>
|
||||
<application>Evolution</application> must meet and
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||||
exceed the standards set by other groupware products.
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||||
It must include support for most major network
|
||||
<glossterm linkend="protocol">protocols</glossterm> so
|
||||
that it can integrate seamlessly with existing hardware
|
||||
and network environments.
|
||||
It must include support for major network <glossterm
|
||||
linkend="protocol">protocols</glossterm> so that it can
|
||||
integrate seamlessly with existing hardware and network
|
||||
environments.
|
||||
</para>
|
||||
</listitem>
|
||||
<listitem>
|
||||
@ -95,8 +96,8 @@
|
||||
<para>
|
||||
Data must be safe: <application>Evolution</application>
|
||||
must not lose mail, corrupt mailbox files or other
|
||||
data, execute arbitrary scripts, or delete files from
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||||
your hard disk.
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||||
data, execute arbitrary <glossterm linkend="script">scripts</glossterm>,
|
||||
or delete files from your hard disk.
|
||||
</para>
|
||||
</listitem>
|
||||
</itemizedlist>
|
||||
@ -123,7 +124,7 @@
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||||
<para>
|
||||
This version of the <application>Evolution</application>
|
||||
User's Guide is a <emphasis>draft</emphasis>. It describes
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||||
version 0.5.1 of the software. It is missing huge
|
||||
version 0.6 of the software. It is missing huge
|
||||
chunks of information, and many of the features it describes
|
||||
are unimplemented. All the content is subject to change,
|
||||
especially if you help. Please send comments on the guide to
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||||
@ -172,7 +173,7 @@
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||||
in</userinput></member> <member><computeroutput>Text
|
||||
output from a computer</computeroutput></member>
|
||||
<member><glossterm linkend="apx-gloss">Words</glossterm>
|
||||
that are defined in <xref linkend="apx-gloss">.</member>
|
||||
that are defined in the <xref linkend="apx-gloss">.</member>
|
||||
</simplelist>
|
||||
</para>
|
||||
</formalpara>
|
||||
@ -296,7 +297,7 @@
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<sect2 id="quickref-mail">
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<title>Mail Tasks</title>
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<para>
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Here are the most frequent email tasks:
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Here are the most frequent email tasks, and shortcuts for navigating your mailbox with the keyboard instead of the mouse:
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<variablelist>
|
||||
<varlistentry>
|
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<term>Check Mail</term>
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@ -96,33 +96,32 @@
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||||
bar. The most frequently used ones, like
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<guimenuitem>Reply</guimenuitem> and
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<guimenuitem>Forward</guimenuitem>, also appear as buttons in
|
||||
the toolbar.
|
||||
the toolbar, and almost all of them are duplicated in the
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||||
right-click menu and as keyboard shortcuts, which tend to be
|
||||
faster once you get the hang of them. You can choose
|
||||
whichever way you like best; the idea is that the software
|
||||
should work the way you want, rather than making you work the
|
||||
way the it does.
|
||||
</para>
|
||||
<para>
|
||||
While you're there, have a look at the items items the bottom
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||||
of the list, which are shortcuts for simple filter and
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||||
vFolder creation. You can learn more about filters and
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vFolders in <xref linkend="usage-mail-organize">; a
|
||||
comprehensive description of this menu (and all the others)
|
||||
is in <xref linkend="menuref">.
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||||
</para>
|
||||
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<sect3 id="usage-mail-listorder">
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||||
<title>Sorting the message list</title>
|
||||
<para>
|
||||
You can also select the order in which messages appear in
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that list. To sort by sender, subject, or date, click on the
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bars with those labels at the top of the message list. If
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||||
you click twice, you'll sort them in reverse order.
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||||
One of the ways <application>Evolution</application> lets
|
||||
you choose the way you work is the way it lets you sort your
|
||||
message lists. To sort by sender, subject, or date, click
|
||||
on the bars with those labels at the top of the message
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||||
list. If you click twice, you'll sort them in reverse
|
||||
order.
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||||
</para>
|
||||
<para>
|
||||
Aside from sorting the messages, you can opt to have the
|
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messages threaded. Select <menuchoice>
|
||||
<guimenu>View</guimenu> <guimenuitem>Threaded</guimenuitem>
|
||||
</menuchoice> to turn the threaded view on or off. If the
|
||||
option selected, <application>Evolution</application> will
|
||||
attempt to associate related messages by using the
|
||||
<systemitem>References</systemitem>,
|
||||
You can also choose a threaded message view. Select
|
||||
<menuchoice> <guimenu>View</guimenu>
|
||||
<guimenuitem>Threaded</guimenuitem> </menuchoice> to turn
|
||||
the threaded view on or off. If the option selected,
|
||||
<application>Evolution</application> will attempt to
|
||||
associate related messages by using message ID numbers and
|
||||
the <systemitem>References</systemitem>,
|
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<systemitem>In-Reply-To</systemitem>, and
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||||
<systemitem>Subject</systemitem> message headers. Messages
|
||||
which are related are then placed next to each other, so
|
||||
@ -133,11 +132,12 @@
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<sect3 id="usage-mail-getnsend-delete">
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<title>Deleting Mail</title>
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<para>
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||||
To delete a message, select it in the the <interface>message
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list</interface> by clicking on it once. Then click on the
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<guibutton>Delete</guibutton> button in the tool bar. The
|
||||
message now has a line through it, because you've marked it
|
||||
for deletion.
|
||||
Once you've read your mail, you may want to get rid of
|
||||
it. To mark a message for deletion, select it in the the
|
||||
<interface>message list</interface> by clicking on it once.
|
||||
Then click on the <guibutton>Delete</guibutton> button in
|
||||
the tool bar. The message now has a line through it,
|
||||
because you've marked it for deletion.
|
||||
</para>
|
||||
<para>
|
||||
If you really want to get rid of it, choose
|
||||
@ -157,65 +157,37 @@
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||||
<para>
|
||||
Now that you've had a look around the
|
||||
<interface>Inbox</interface>, it's time to check for new mail.
|
||||
Before you get it, though, you should decide where you want to
|
||||
keep it. Your options will vary a little depending on your
|
||||
network setup, but they come down to storing the mail on your
|
||||
hard disk (using <glossterm linkend="pop">POP</glossterm>), or
|
||||
storing it on the network (using <glossterm
|
||||
linkend="imap">IMAP</glossterm>). If you store your mail on
|
||||
your local hard disk, you can read it whether you're online or
|
||||
not, but you can only read it from one computer. If you store
|
||||
it on the network, you can only read it when you're online,
|
||||
but you can access it from almost any computer with a network
|
||||
connection, even if it doesn't have
|
||||
<application>Evolution</application>.
|
||||
Click <guibutton>Get mail</guibutton> in the toolbar to check
|
||||
your mail. If it's the first time you've done so, the
|
||||
<interface>mail setup assistant</interface> will ask you for
|
||||
the information it needs to check your mail (see <xref
|
||||
linkend="config-setupassist"> for more information).
|
||||
</para>
|
||||
<para>
|
||||
Then, you need to enter your email
|
||||
password. <application>Evolution</application> will remember
|
||||
the password until you quit the application or until you
|
||||
select <menuchoice> <guimenu>Settings</guimenu>
|
||||
<guimenuitem>Forget Passwords</guimenuitem> </menuchoice>.
|
||||
</para>
|
||||
<para>
|
||||
If you choose POP, you'll be putting mail in the
|
||||
<guilabel>Inbox</guilabel> in the <guilabel>Local</guilabel>
|
||||
folder. If you choose IMAP, it's the
|
||||
<guilabel>Inbox</guilabel> of a folder with the same name as
|
||||
your mail server. That's so you can maintain several distinct
|
||||
IMAP servers if you want. See <xref
|
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linkend="config-prefs-mail"> for more information about mail
|
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servers.
|
||||
Once it's validated the password,
|
||||
<application>Evolution</application> will check your mail.
|
||||
New mail will appear in the local <interface>Inbox</interface>
|
||||
if you're using a <glossterm>POP</glossterm> account, and in
|
||||
your <glossterm>IMAP</glossterm> folders if you use IMAP.
|
||||
</para>
|
||||
<para>
|
||||
Regardless of where you keep your mail, you can click
|
||||
<guibutton>Get mail</guibutton> in the toolbar to check your
|
||||
mail. The first time you do that, the <interface>mail setup
|
||||
assistant</interface> will ask you for the information it
|
||||
needs to check your mail (see <xref
|
||||
linkend="config-setupassist"> for more information). If
|
||||
you're checking mail over a network (instead of from local
|
||||
<systemitem><filename>mbox</filename></systemitem> files),
|
||||
you'll need to enter your email password. Type it in, click
|
||||
<guibutton>OK</guibutton> and
|
||||
<application>Evolution</application> will download your mail.
|
||||
New mail will appear in your <interface>Inbox</interface>.
|
||||
|
||||
<note id="badmailsettings">
|
||||
<title>Can't Check Mail?</title>
|
||||
<para>
|
||||
If you get an error message instead of mail, you probably need
|
||||
to change your network settings. To learn how to do that,
|
||||
have a look at <xref linkend="config-prefs-mail-network">, or
|
||||
ask your system administrator.
|
||||
</para>
|
||||
<para>
|
||||
Once you've entered your password,
|
||||
<application>Evolution</application> will hold it in memory so
|
||||
that you don't have to retype it every time you want to check
|
||||
mail. It will only remember the password until you quit the
|
||||
application; each time you run
|
||||
<application>Evolution</application>, you need to re-enter
|
||||
your password. If you'd like
|
||||
<application>Evolution</application> to forget your password
|
||||
sooner, select
|
||||
<menuchoice><guimenu>Settings</guimenu><guimenuitem>Forget
|
||||
Passwords</guimenuitem></menuchoice>, and it will do so
|
||||
immediately.
|
||||
</para>
|
||||
<para>
|
||||
If you get an error message instead of mail, you probably
|
||||
need to change your network settings. To learn how to
|
||||
do that, have a look at <xref
|
||||
linkend="config-prefs-mail-network">, or ask your system
|
||||
administrator.
|
||||
</para>
|
||||
|
||||
</note>
|
||||
|
||||
<sect3 id="usage-mail-getnsend-get-news">
|
||||
<title>Using Evolution for News </title>
|
||||
<para>
|
||||
@ -223,23 +195,22 @@
|
||||
read them side by side. If you want to do that, add a news
|
||||
source to your configuration (see <xref
|
||||
linkend="config-prefs-network-news">). The news server will
|
||||
appear as a remote server, and will look exactly like an IMAP
|
||||
folder, except that you can't delete messages from it. When
|
||||
you click <guibutton>Get Mail</guibutton>,
|
||||
appear as a remote server, and will look quite similar to an
|
||||
IMAP folder. When you click <guibutton>Get Mail</guibutton>,
|
||||
<application>Evolution</application> will also check for news
|
||||
messages. If you prefer to use a different program, there's
|
||||
always <application>Pan</application>.
|
||||
messages.
|
||||
</para>
|
||||
</sect3>
|
||||
|
||||
<sect3 id="usage-mail-getnsend-get-attach">
|
||||
<title>Attachments, HTML Mail, and Live Documents</title>
|
||||
<title>Attachments and HTML Mail</title>
|
||||
<para>
|
||||
If someone sends you a file attached to an email (an
|
||||
"attachment"), <application>Evolution</application> will
|
||||
display the file at the bottom of the message to which it's
|
||||
attached. Text, HTML, and most images will be displayed in
|
||||
the message itself. For other files,
|
||||
If someone sends you an <glossterm>attachment</glossterm>, a
|
||||
file attached to an email,
|
||||
<application>Evolution</application> will display the file
|
||||
at the bottom of the message to which it's attached. Text,
|
||||
HTML, and most images will be displayed within the message
|
||||
itself. For other files,
|
||||
<application>Evolution</application> will provide a link and
|
||||
icon at the end of the message. Click on that, and
|
||||
<application>Evolution</application> will ask you where you
|
||||
@ -247,6 +218,12 @@
|
||||
saved the file, you can open, move, copy, or execute it just
|
||||
like any other, using <application>Nautilus</application> or
|
||||
your favorite shell or file manager.
|
||||
</para>
|
||||
<para>
|
||||
As usual, there's a shortcut here: right-click on the link,
|
||||
and choose an application for the file: you can send an
|
||||
image straight to the <application>GIMP</application>, or a
|
||||
spredsheet straight to <application>Gnumeric</application>.
|
||||
</para>
|
||||
|
||||
<para>
|
||||
@ -255,7 +232,6 @@
|
||||
formatting will display automatically, although you can
|
||||
turn it off if you prefer.
|
||||
</para>
|
||||
|
||||
</sect3>
|
||||
</sect2>
|
||||
|
||||
@ -289,10 +265,10 @@
|
||||
Enter an address in the <guilabel>To:</guilabel> field, a
|
||||
subject in the <guilabel>Subject:</guilabel> and a message in
|
||||
the big empty box at the bottom of the window, and press
|
||||
<guibutton>Send</guibutton>. That's easy. It may even be
|
||||
too easy, which is why I like to queue my messages up to be
|
||||
sent a few minutes later.
|
||||
<guibutton>Send</guibutton>. That's easy, although it can
|
||||
get a little more complicated if you want.
|
||||
</para>
|
||||
|
||||
<sect3 id="usage-mail-getnsend-send-delay">
|
||||
<title>Saving Messages for Later</title>
|
||||
<para>
|
||||
@ -308,6 +284,11 @@
|
||||
mind about a message before it goes out. That way, I don't
|
||||
send anything I'll regret the next day.
|
||||
</para>
|
||||
<para>
|
||||
To learn more about how you can specify message queue and
|
||||
filter behavior, see <xref linkend="config-prefs-mail">.
|
||||
</para>
|
||||
|
||||
<para>
|
||||
You can also choose to save messages as drafts or as text
|
||||
files. Choose
|
||||
@ -322,23 +303,20 @@
|
||||
<guimenu>File</guimenu> <guimenuitem>Save In
|
||||
Folder</guimenuitem> </menuchoice>.
|
||||
</para>
|
||||
<para>
|
||||
To learn more about how you can specify message queue and
|
||||
filter behavior, see <xref linkend="config-prefs-mail">.
|
||||
</para>
|
||||
|
||||
<para>
|
||||
</sect3>
|
||||
<sect3 id="usage-mail-getnsend-send-compose">
|
||||
<title>Advanced Mail Composition</title>
|
||||
<para>
|
||||
You can probably guess the purpose of the buttons labelled
|
||||
<guibutton>Cut</guibutton>, <guibutton>Copy</guibutton>,
|
||||
<guibutton>Paste</guibutton>, <guibutton>Undo</guibutton>
|
||||
and <guibutton>Redo</guibutton> , but there's a bit more to
|
||||
and <guibutton>Redo</guibutton>, but there's a bit more to
|
||||
sending mail that's less obvious. In the next few sections,
|
||||
you'll see how <application>Evolution</application> handles
|
||||
additional features, including large recipient lists,
|
||||
attachments, and forwarding.
|
||||
</para>
|
||||
</sect3>
|
||||
<sect3 id="usage-mail-getnsend-send-attach">
|
||||
<sect4 id="usage-mail-getnsend-send-attach">
|
||||
<title>Attachments</title>
|
||||
<para>
|
||||
If you want to attach a file to your email message, you
|
||||
@ -353,58 +331,28 @@
|
||||
<para>
|
||||
To see what files you've attached to the message you're
|
||||
composing, select <menuchoice> <guimenu>View</guimenu>
|
||||
<guimenuitem>Show Attachments</guimenuitem> </menuchoice>.
|
||||
<guimenuitem>Show Attachments</guimenuitem> </menuchoice>;
|
||||
to hide them again, choose <guimenuitem>Hide
|
||||
Attachments</guimenuitem>.
|
||||
</para>
|
||||
<para>
|
||||
When you send the message, a copy of the attached file
|
||||
will go with it. Be aware that big attachments can take a
|
||||
long time to download.
|
||||
</para>
|
||||
</sect3>
|
||||
<sect3 id="usage-mail-getnsend-send-to">
|
||||
<title>Choosing Recipients</title>
|
||||
<para>
|
||||
If you have created address cards in the contact manager,
|
||||
you can also enter nicknames or other portions of address
|
||||
data, and <application>Evolution</application> will complete
|
||||
the address for you. <!-- (INSERT description of UI for this
|
||||
feature, once it is decided upon). --> If you enter a name
|
||||
or nickname that can go with more than one card, Evolution
|
||||
will open a dialog box to ask you which person you meant.
|
||||
<!-- (NOT YET) Also, <application>Evolution</application>
|
||||
will add a domain to any unqualified addresses. By default,
|
||||
this is your domain, but you can choose which one mail
|
||||
preferences dialog. -->
|
||||
</para>
|
||||
</sect4>
|
||||
<sect4 id="usage-mail-getnsend-send-to-types">
|
||||
<title>Types of Recipients</title>
|
||||
<para>
|
||||
Alternately, you can click on the
|
||||
<guibutton>To:</guibutton>, <guibutton>Cc:</guibutton>, or
|
||||
<guibutton>Bcc:</guibutton> buttons to get a list of email
|
||||
addresses. Click the check-boxes next to the addresses, then
|
||||
click <guibutton>OK</guibutton>, and the address will be
|
||||
added to the appropriate form field.
|
||||
</para>
|
||||
<para>
|
||||
For more information about using email together with the
|
||||
contact manager and the calendar, see <xref
|
||||
linkend="usage-contact-automate"> and <xref
|
||||
linkend="usage-calendar-apts">.
|
||||
</para>
|
||||
|
||||
<sect4 id="usage-mail-getnsend-send-to-mult">
|
||||
<title>Multiple Recipients</title>
|
||||
<para>
|
||||
<application>Evolution</application>, like all email
|
||||
programs (at least, all the ones in current use)
|
||||
recognizes three types of addressee: primary recipients,
|
||||
secondary recipients, and hidden ("blind") recipients. The
|
||||
<guilabel>To:</guilabel> field is for the primary
|
||||
recipients of the message you are going to send.
|
||||
secondary recipients, and hidden ("blind") recipients.
|
||||
</para>
|
||||
<para>
|
||||
The simplest way to direct a message is to put the email
|
||||
address or addresses in the <guilabel>To:</guilabel>
|
||||
field, to denote primary recipients. However, it is
|
||||
field, which denotes primary recipients. However, it's
|
||||
considered bad form to have more than a few email
|
||||
addresses in this section. If you are sending mail to
|
||||
more than one or two people, consider the
|
||||
@ -455,24 +403,57 @@
|
||||
</example>
|
||||
</para>
|
||||
</sect4>
|
||||
</sect3>
|
||||
|
||||
<sect3 id="usage-mail-getnsend-send-reply">
|
||||
<sect4 id="usage-mail-getnsend-send-to">
|
||||
<title>Choosing Recipients Quickly</title>
|
||||
<para>
|
||||
If you have created address cards in the contact manager,
|
||||
you can also enter nicknames or other portions of address
|
||||
data, and <application>Evolution</application> will complete
|
||||
the address for you. <!-- (INSERT description of UI for this
|
||||
feature, once it is decided upon). --> If you enter a name
|
||||
or nickname that can go with more than one card, Evolution
|
||||
will open a dialog box to ask you which person you meant.
|
||||
<!-- (NOT YET) Also, <application>Evolution</application>
|
||||
will add a domain to any unqualified addresses. By default,
|
||||
this is your domain, but you can choose which one mail
|
||||
preferences dialog. -->
|
||||
</para>
|
||||
<para>
|
||||
Alternately, you can click on the
|
||||
<guibutton>To:</guibutton>, <guibutton>Cc:</guibutton>, or
|
||||
<guibutton>Bcc:</guibutton> buttons to get a list —
|
||||
potentially a very long one — of the email addresses
|
||||
in your contact manager. Select addresses and click on
|
||||
the arrows to move them into the appropriate address
|
||||
columns.
|
||||
</para>
|
||||
<para>
|
||||
For more information about using email together with the
|
||||
contact manager and the calendar, see <xref
|
||||
linkend="usage-contact-automate"> and <xref
|
||||
linkend="usage-calendar-apts">.
|
||||
</para>
|
||||
</sect4>
|
||||
</sect3>
|
||||
|
||||
<sect3 id="usage-mail-getnsend-send-reply">
|
||||
<title>Replying to Messages</title>
|
||||
<para>
|
||||
In order to reply to a message, click on it once in the
|
||||
message list to select it. Then press the
|
||||
<guibutton>Reply</guibutton> button. A window like the
|
||||
<interface>New Message</interface> window will appear, but
|
||||
the subject will already be present— the same subject
|
||||
as the message to which you are replying, but with Re:
|
||||
before it, to mark it as a reply. In addition, the full
|
||||
text of the previous message is inserted into the new
|
||||
message, either in italics (for HTML display) or with the
|
||||
> character (in plain text mode) before each line. This
|
||||
indicates quoting. You can intersperse your message with
|
||||
the quoted material as shown in <xref
|
||||
linkend="usage-mail-getnsend-reply-fig">
|
||||
To reply to a message, press the
|
||||
<guibutton>Reply</guibutton> button while it is selected,
|
||||
or choose <guimenuitem>Reply to Sender</guimenuitem> from
|
||||
the message's right-click menu. That will open
|
||||
<interface>message composer</interface>. The
|
||||
<guilabel>To:</guilabel> and <guilabel>Subject</guilabel>
|
||||
fields will already be filled, although you can alter them
|
||||
if you wish. In addition, the full text of the old message
|
||||
is inserted into the new message, either in italics (for
|
||||
HTML display) or with the > character (in plain text
|
||||
mode) before each line, to indicate that it's part of the
|
||||
previous message. People often intersperse their message
|
||||
with the quoted material as shown in <xref
|
||||
linkend="usage-mail-getnsend-reply-fig">.
|
||||
|
||||
<!-- note that this figure should have a reply mail ready to send,
|
||||
with quoted materials and the relevant replies interspersed-->
|
||||
@ -489,15 +470,14 @@ with quoted materials and the relevant replies interspersed-->
|
||||
</para>
|
||||
|
||||
<para>
|
||||
If a message has several recipients, as in the case of
|
||||
mailing lists or messages that have been carbon copied, you
|
||||
may wish to click <guibutton>Reply to All</guibutton>
|
||||
instead of <guibutton>Reply</guibutton>. If there are large
|
||||
numbers of people in the <guilabel>Cc:</guilabel> or
|
||||
<guilabel>To:</guilabel> fields, this can save substantial
|
||||
amounts of time. But be careful, and always make sure you
|
||||
know who is getting a message: it could be a mailing list
|
||||
with thousands of subscribers.
|
||||
If you're reading a message with several recipients, you may
|
||||
wish to use <guibutton>Reply to All</guibutton> instead of
|
||||
<guibutton>Reply</guibutton>. If there are large numbers
|
||||
of people in the <guilabel>Cc:</guilabel> or
|
||||
<guilabel>To:</guilabel> fields, this can save substantial
|
||||
amounts of time. But be careful, and always make sure you
|
||||
know who is getting a message: one address could be a
|
||||
mailing list with thousands of subscribers.
|
||||
<example>
|
||||
<title>Using the Reply to All feature</title>
|
||||
<para>
|
||||
@ -552,7 +532,7 @@ with quoted materials and the relevant replies interspersed-->
|
||||
<varlistentry>
|
||||
<term><guimenuitem>Replace</guimenuitem></term>
|
||||
<listitem><para>
|
||||
Find a word or phrase, replace it with
|
||||
Find a word or phrase, and replace it with
|
||||
something else.
|
||||
</para></listitem>
|
||||
</varlistentry>
|
||||
@ -575,11 +555,13 @@ with quoted materials and the relevant replies interspersed-->
|
||||
<para>
|
||||
You can't normally use text treatments or pictures in
|
||||
emails, which is why you've probably seen people use far
|
||||
too many exclamation points for emphasis or use
|
||||
<glossterm linkend="emoticon">emoticons</glossterm> to convey their feelings.
|
||||
However, most of the newer email programs can include and
|
||||
display images and text treatments as well as basic
|
||||
alignment and paragraph formatting.
|
||||
too many exclamation points for emphasis or use <glossterm
|
||||
linkend="emoticon">emoticons</glossterm> to convey their
|
||||
feelings. However, most of the newer email programs can
|
||||
include and display images and text treatments as well as
|
||||
basic alignment and paragraph formatting. They do this
|
||||
with <glossterm linkend="html">HTML</glossterm>, just like
|
||||
web sites do.
|
||||
</para>
|
||||
<note>
|
||||
<title>HTML Mail is not a Default Setting</title>
|
||||
|
||||
@ -50,11 +50,9 @@
|
||||
The appearance of both <application>Evolution</application>
|
||||
and <application>GNOME</application> is very easy to
|
||||
customize, so your screen might not look like this picture.
|
||||
You might configure <application>Evolution</application> to
|
||||
start with a different view, without the <interface>shortcut
|
||||
bar</interface>, or with the <link
|
||||
linkend="usage-mainwindow-folderbar">folder bar</link>
|
||||
instead.
|
||||
You might decide to have <application>Evolution</application>
|
||||
start with the calendar and a folder bar, or with the contact
|
||||
manager occupying the entire window.
|
||||
</para>
|
||||
</note>
|
||||
</para>
|
||||
@ -70,10 +68,10 @@
|
||||
like <guilabel>Inbox</guilabel> and
|
||||
<guilabel>Contacts</guilabel> are the shortcuts, and you can
|
||||
select different groups of shortcuts by clicking the
|
||||
rectangular category buttons.
|
||||
rectangular group buttons.
|
||||
</para>
|
||||
<para>
|
||||
The category buttons are <guibutton>Evolution
|
||||
The shortcut group buttons are <guibutton>Evolution
|
||||
Shortcuts</guibutton> and <guibutton>Internet
|
||||
Directories</guibutton>. When you click on them, they'll slide
|
||||
up and down to give you access to different sorts of shortcuts.
|
||||
@ -83,9 +81,12 @@
|
||||
Directories</guilabel>, it will slide up and you'll see buttons
|
||||
for the <guilabel>Bigfoot</guilabel> and
|
||||
<guilabel>Netcenter</guilabel> directories, as well as any
|
||||
others you or your system administrator might have added.
|
||||
Internet directories behave a lot like the local contact
|
||||
manager, which is covered in <xref linkend="usage-contact">.
|
||||
others you or your system administrator might have added. You
|
||||
can add more groups by right-clicking on the background of the
|
||||
shortcut bar and selecting <guimenuitem>Menu
|
||||
Group</guimenuitem>. Internet directories behave a lot like
|
||||
the local contact manager, which is covered in <xref
|
||||
linkend="usage-contact">.
|
||||
</para>
|
||||
<para>
|
||||
Take a look at the <guilabel>Evolution Shortcuts</guilabel>
|
||||
@ -192,16 +193,6 @@
|
||||
empty space on the shortcut bar. From the menu that appears,
|
||||
you can select icon sizes.
|
||||
</para>
|
||||
<para>
|
||||
You don't need the folder bar to move between folders. You
|
||||
can use <menuchoice> <guimenu>File</guimenu> <guimenuitem>Go
|
||||
to Folder...</guimenuitem> </menuchoice> to move to a
|
||||
particular folder. It's faster, however, to click on the
|
||||
<guilabel>Inbox</guilabel> label just below the toolbar, to
|
||||
the right of the shortcut bar, and select a folder from
|
||||
there. The <guilabel>Inbox</guilabel> label will change to
|
||||
reflect your location in the folder tree.
|
||||
</para>
|
||||
</tip>
|
||||
</sect1>
|
||||
|
||||
@ -258,6 +249,16 @@
|
||||
</itemizedlist>
|
||||
|
||||
</para>
|
||||
<tip id="foldertips">
|
||||
<title>Navigating without the Folder Bar</title>
|
||||
<para>
|
||||
You don't need the folder bar or the shortcut bar to move
|
||||
around the main window. You can use <keycap>Tab</keycap> to
|
||||
switch from one part of the window to another, and the folder
|
||||
menu on the right side of the window just below the toolbar
|
||||
to move about the folder tree.
|
||||
</para>
|
||||
</tip>
|
||||
|
||||
<para>
|
||||
To create a new folder, select <menuchoice>
|
||||
@ -295,11 +296,11 @@
|
||||
<tip>
|
||||
<title>Context-Sensitive Help</title>
|
||||
<para>
|
||||
GNOME 2.0 supports context-sensitive help, which means you can
|
||||
almost always get help on an item by right-clicking it. If
|
||||
you're not sure what something is, or don't know what you can
|
||||
do with it, choosing <guimenuitem>Help</guimenuitem> from the
|
||||
right-click menu is a good way to find out.
|
||||
GNOME 2.0 will support context-sensitive help, which means you
|
||||
can almost always get help on an item by right-clicking it.
|
||||
If you're not sure what something is, or don't know what you
|
||||
can do with it, choosing <guimenuitem>Help</guimenuitem> from
|
||||
the right-click menu is a good way to find out.
|
||||
</para>
|
||||
</tip>
|
||||
|
||||
|
||||
355
doc/COPYING-DOCS
Normal file
355
doc/COPYING-DOCS
Normal file
@ -0,0 +1,355 @@
|
||||
GNU Free Documentation License
|
||||
Version 1.1, March 2000
|
||||
|
||||
Copyright (C) 2000 Free Software Foundation, Inc.
|
||||
59 Temple Place, Suite 330, Boston, MA 02111-1307 USA
|
||||
Everyone is permitted to copy and distribute verbatim copies
|
||||
of this license document, but changing it is not allowed.
|
||||
|
||||
|
||||
0. PREAMBLE
|
||||
|
||||
The purpose of this License is to make a manual, textbook, or other
|
||||
written document "free" in the sense of freedom: to assure everyone
|
||||
the effective freedom to copy and redistribute it, with or without
|
||||
modifying it, either commercially or noncommercially. Secondarily,
|
||||
this License preserves for the author and publisher a way to get
|
||||
credit for their work, while not being considered responsible for
|
||||
modifications made by others.
|
||||
|
||||
This License is a kind of "copyleft", which means that derivative
|
||||
works of the document must themselves be free in the same sense. It
|
||||
complements the GNU General Public License, which is a copyleft
|
||||
license designed for free software.
|
||||
|
||||
We have designed this License in order to use it for manuals for free
|
||||
software, because free software needs free documentation: a free
|
||||
program should come with manuals providing the same freedoms that the
|
||||
software does. But this License is not limited to software manuals;
|
||||
it can be used for any textual work, regardless of subject matter or
|
||||
whether it is published as a printed book. We recommend this License
|
||||
principally for works whose purpose is instruction or reference.
|
||||
|
||||
|
||||
1. APPLICABILITY AND DEFINITIONS
|
||||
|
||||
This License applies to any manual or other work that contains a
|
||||
notice placed by the copyright holder saying it can be distributed
|
||||
under the terms of this License. The "Document", below, refers to any
|
||||
such manual or work. Any member of the public is a licensee, and is
|
||||
addressed as "you".
|
||||
|
||||
A "Modified Version" of the Document means any work containing the
|
||||
Document or a portion of it, either copied verbatim, or with
|
||||
modifications and/or translated into another language.
|
||||
|
||||
A "Secondary Section" is a named appendix or a front-matter section of
|
||||
the Document that deals exclusively with the relationship of the
|
||||
publishers or authors of the Document to the Document's overall subject
|
||||
(or to related matters) and contains nothing that could fall directly
|
||||
within that overall subject. (For example, if the Document is in part a
|
||||
textbook of mathematics, a Secondary Section may not explain any
|
||||
mathematics.) The relationship could be a matter of historical
|
||||
connection with the subject or with related matters, or of legal,
|
||||
commercial, philosophical, ethical or political position regarding
|
||||
them.
|
||||
|
||||
The "Invariant Sections" are certain Secondary Sections whose titles
|
||||
are designated, as being those of Invariant Sections, in the notice
|
||||
that says that the Document is released under this License.
|
||||
|
||||
The "Cover Texts" are certain short passages of text that are listed,
|
||||
as Front-Cover Texts or Back-Cover Texts, in the notice that says that
|
||||
the Document is released under this License.
|
||||
|
||||
A "Transparent" copy of the Document means a machine-readable copy,
|
||||
represented in a format whose specification is available to the
|
||||
general public, whose contents can be viewed and edited directly and
|
||||
straightforwardly with generic text editors or (for images composed of
|
||||
pixels) generic paint programs or (for drawings) some widely available
|
||||
drawing editor, and that is suitable for input to text formatters or
|
||||
for automatic translation to a variety of formats suitable for input
|
||||
to text formatters. A copy made in an otherwise Transparent file
|
||||
format whose markup has been designed to thwart or discourage
|
||||
subsequent modification by readers is not Transparent. A copy that is
|
||||
not "Transparent" is called "Opaque".
|
||||
|
||||
Examples of suitable formats for Transparent copies include plain
|
||||
ASCII without markup, Texinfo input format, LaTeX input format, SGML
|
||||
or XML using a publicly available DTD, and standard-conforming simple
|
||||
HTML designed for human modification. Opaque formats include
|
||||
PostScript, PDF, proprietary formats that can be read and edited only
|
||||
by proprietary word processors, SGML or XML for which the DTD and/or
|
||||
processing tools are not generally available, and the
|
||||
machine-generated HTML produced by some word processors for output
|
||||
purposes only.
|
||||
|
||||
The "Title Page" means, for a printed book, the title page itself,
|
||||
plus such following pages as are needed to hold, legibly, the material
|
||||
this License requires to appear in the title page. For works in
|
||||
formats which do not have any title page as such, "Title Page" means
|
||||
the text near the most prominent appearance of the work's title,
|
||||
preceding the beginning of the body of the text.
|
||||
|
||||
|
||||
2. VERBATIM COPYING
|
||||
|
||||
You may copy and distribute the Document in any medium, either
|
||||
commercially or noncommercially, provided that this License, the
|
||||
copyright notices, and the license notice saying this License applies
|
||||
to the Document are reproduced in all copies, and that you add no other
|
||||
conditions whatsoever to those of this License. You may not use
|
||||
technical measures to obstruct or control the reading or further
|
||||
copying of the copies you make or distribute. However, you may accept
|
||||
compensation in exchange for copies. If you distribute a large enough
|
||||
number of copies you must also follow the conditions in section 3.
|
||||
|
||||
You may also lend copies, under the same conditions stated above, and
|
||||
you may publicly display copies.
|
||||
|
||||
|
||||
3. COPYING IN QUANTITY
|
||||
|
||||
If you publish printed copies of the Document numbering more than 100,
|
||||
and the Document's license notice requires Cover Texts, you must enclose
|
||||
the copies in covers that carry, clearly and legibly, all these Cover
|
||||
Texts: Front-Cover Texts on the front cover, and Back-Cover Texts on
|
||||
the back cover. Both covers must also clearly and legibly identify
|
||||
you as the publisher of these copies. The front cover must present
|
||||
the full title with all words of the title equally prominent and
|
||||
visible. You may add other material on the covers in addition.
|
||||
Copying with changes limited to the covers, as long as they preserve
|
||||
the title of the Document and satisfy these conditions, can be treated
|
||||
as verbatim copying in other respects.
|
||||
|
||||
If the required texts for either cover are too voluminous to fit
|
||||
legibly, you should put the first ones listed (as many as fit
|
||||
reasonably) on the actual cover, and continue the rest onto adjacent
|
||||
pages.
|
||||
|
||||
If you publish or distribute Opaque copies of the Document numbering
|
||||
more than 100, you must either include a machine-readable Transparent
|
||||
copy along with each Opaque copy, or state in or with each Opaque copy
|
||||
a publicly-accessible computer-network location containing a complete
|
||||
Transparent copy of the Document, free of added material, which the
|
||||
general network-using public has access to download anonymously at no
|
||||
charge using public-standard network protocols. If you use the latter
|
||||
option, you must take reasonably prudent steps, when you begin
|
||||
distribution of Opaque copies in quantity, to ensure that this
|
||||
Transparent copy will remain thus accessible at the stated location
|
||||
until at least one year after the last time you distribute an Opaque
|
||||
copy (directly or through your agents or retailers) of that edition to
|
||||
the public.
|
||||
|
||||
It is requested, but not required, that you contact the authors of the
|
||||
Document well before redistributing any large number of copies, to give
|
||||
them a chance to provide you with an updated version of the Document.
|
||||
|
||||
|
||||
4. MODIFICATIONS
|
||||
|
||||
You may copy and distribute a Modified Version of the Document under
|
||||
the conditions of sections 2 and 3 above, provided that you release
|
||||
the Modified Version under precisely this License, with the Modified
|
||||
Version filling the role of the Document, thus licensing distribution
|
||||
and modification of the Modified Version to whoever possesses a copy
|
||||
of it. In addition, you must do these things in the Modified Version:
|
||||
|
||||
A. Use in the Title Page (and on the covers, if any) a title distinct
|
||||
from that of the Document, and from those of previous versions
|
||||
(which should, if there were any, be listed in the History section
|
||||
of the Document). You may use the same title as a previous version
|
||||
if the original publisher of that version gives permission.
|
||||
B. List on the Title Page, as authors, one or more persons or entities
|
||||
responsible for authorship of the modifications in the Modified
|
||||
Version, together with at least five of the principal authors of the
|
||||
Document (all of its principal authors, if it has less than five).
|
||||
C. State on the Title page the name of the publisher of the
|
||||
Modified Version, as the publisher.
|
||||
D. Preserve all the copyright notices of the Document.
|
||||
E. Add an appropriate copyright notice for your modifications
|
||||
adjacent to the other copyright notices.
|
||||
F. Include, immediately after the copyright notices, a license notice
|
||||
giving the public permission to use the Modified Version under the
|
||||
terms of this License, in the form shown in the Addendum below.
|
||||
G. Preserve in that license notice the full lists of Invariant Sections
|
||||
and required Cover Texts given in the Document's license notice.
|
||||
H. Include an unaltered copy of this License.
|
||||
I. Preserve the section entitled "History", and its title, and add to
|
||||
it an item stating at least the title, year, new authors, and
|
||||
publisher of the Modified Version as given on the Title Page. If
|
||||
there is no section entitled "History" in the Document, create one
|
||||
stating the title, year, authors, and publisher of the Document as
|
||||
given on its Title Page, then add an item describing the Modified
|
||||
Version as stated in the previous sentence.
|
||||
J. Preserve the network location, if any, given in the Document for
|
||||
public access to a Transparent copy of the Document, and likewise
|
||||
the network locations given in the Document for previous versions
|
||||
it was based on. These may be placed in the "History" section.
|
||||
You may omit a network location for a work that was published at
|
||||
least four years before the Document itself, or if the original
|
||||
publisher of the version it refers to gives permission.
|
||||
K. In any section entitled "Acknowledgements" or "Dedications",
|
||||
preserve the section's title, and preserve in the section all the
|
||||
substance and tone of each of the contributor acknowledgements
|
||||
and/or dedications given therein.
|
||||
L. Preserve all the Invariant Sections of the Document,
|
||||
unaltered in their text and in their titles. Section numbers
|
||||
or the equivalent are not considered part of the section titles.
|
||||
M. Delete any section entitled "Endorsements". Such a section
|
||||
may not be included in the Modified Version.
|
||||
N. Do not retitle any existing section as "Endorsements"
|
||||
or to conflict in title with any Invariant Section.
|
||||
|
||||
If the Modified Version includes new front-matter sections or
|
||||
appendices that qualify as Secondary Sections and contain no material
|
||||
copied from the Document, you may at your option designate some or all
|
||||
of these sections as invariant. To do this, add their titles to the
|
||||
list of Invariant Sections in the Modified Version's license notice.
|
||||
These titles must be distinct from any other section titles.
|
||||
|
||||
You may add a section entitled "Endorsements", provided it contains
|
||||
nothing but endorsements of your Modified Version by various
|
||||
parties--for example, statements of peer review or that the text has
|
||||
been approved by an organization as the authoritative definition of a
|
||||
standard.
|
||||
|
||||
You may add a passage of up to five words as a Front-Cover Text, and a
|
||||
passage of up to 25 words as a Back-Cover Text, to the end of the list
|
||||
of Cover Texts in the Modified Version. Only one passage of
|
||||
Front-Cover Text and one of Back-Cover Text may be added by (or
|
||||
through arrangements made by) any one entity. If the Document already
|
||||
includes a cover text for the same cover, previously added by you or
|
||||
by arrangement made by the same entity you are acting on behalf of,
|
||||
you may not add another; but you may replace the old one, on explicit
|
||||
permission from the previous publisher that added the old one.
|
||||
|
||||
The author(s) and publisher(s) of the Document do not by this License
|
||||
give permission to use their names for publicity for or to assert or
|
||||
imply endorsement of any Modified Version.
|
||||
|
||||
|
||||
5. COMBINING DOCUMENTS
|
||||
|
||||
You may combine the Document with other documents released under this
|
||||
License, under the terms defined in section 4 above for modified
|
||||
versions, provided that you include in the combination all of the
|
||||
Invariant Sections of all of the original documents, unmodified, and
|
||||
list them all as Invariant Sections of your combined work in its
|
||||
license notice.
|
||||
|
||||
The combined work need only contain one copy of this License, and
|
||||
multiple identical Invariant Sections may be replaced with a single
|
||||
copy. If there are multiple Invariant Sections with the same name but
|
||||
different contents, make the title of each such section unique by
|
||||
adding at the end of it, in parentheses, the name of the original
|
||||
author or publisher of that section if known, or else a unique number.
|
||||
Make the same adjustment to the section titles in the list of
|
||||
Invariant Sections in the license notice of the combined work.
|
||||
|
||||
In the combination, you must combine any sections entitled "History"
|
||||
in the various original documents, forming one section entitled
|
||||
"History"; likewise combine any sections entitled "Acknowledgements",
|
||||
and any sections entitled "Dedications". You must delete all sections
|
||||
entitled "Endorsements."
|
||||
|
||||
|
||||
6. COLLECTIONS OF DOCUMENTS
|
||||
|
||||
You may make a collection consisting of the Document and other documents
|
||||
released under this License, and replace the individual copies of this
|
||||
License in the various documents with a single copy that is included in
|
||||
the collection, provided that you follow the rules of this License for
|
||||
verbatim copying of each of the documents in all other respects.
|
||||
|
||||
You may extract a single document from such a collection, and distribute
|
||||
it individually under this License, provided you insert a copy of this
|
||||
License into the extracted document, and follow this License in all
|
||||
other respects regarding verbatim copying of that document.
|
||||
|
||||
|
||||
7. AGGREGATION WITH INDEPENDENT WORKS
|
||||
|
||||
A compilation of the Document or its derivatives with other separate
|
||||
and independent documents or works, in or on a volume of a storage or
|
||||
distribution medium, does not as a whole count as a Modified Version
|
||||
of the Document, provided no compilation copyright is claimed for the
|
||||
compilation. Such a compilation is called an "aggregate", and this
|
||||
License does not apply to the other self-contained works thus compiled
|
||||
with the Document, on account of their being thus compiled, if they
|
||||
are not themselves derivative works of the Document.
|
||||
|
||||
If the Cover Text requirement of section 3 is applicable to these
|
||||
copies of the Document, then if the Document is less than one quarter
|
||||
of the entire aggregate, the Document's Cover Texts may be placed on
|
||||
covers that surround only the Document within the aggregate.
|
||||
Otherwise they must appear on covers around the whole aggregate.
|
||||
|
||||
|
||||
8. TRANSLATION
|
||||
|
||||
Translation is considered a kind of modification, so you may
|
||||
distribute translations of the Document under the terms of section 4.
|
||||
Replacing Invariant Sections with translations requires special
|
||||
permission from their copyright holders, but you may include
|
||||
translations of some or all Invariant Sections in addition to the
|
||||
original versions of these Invariant Sections. You may include a
|
||||
translation of this License provided that you also include the
|
||||
original English version of this License. In case of a disagreement
|
||||
between the translation and the original English version of this
|
||||
License, the original English version will prevail.
|
||||
|
||||
|
||||
9. TERMINATION
|
||||
|
||||
You may not copy, modify, sublicense, or distribute the Document except
|
||||
as expressly provided for under this License. Any other attempt to
|
||||
copy, modify, sublicense or distribute the Document is void, and will
|
||||
automatically terminate your rights under this License. However,
|
||||
parties who have received copies, or rights, from you under this
|
||||
License will not have their licenses terminated so long as such
|
||||
parties remain in full compliance.
|
||||
|
||||
|
||||
10. FUTURE REVISIONS OF THIS LICENSE
|
||||
|
||||
The Free Software Foundation may publish new, revised versions
|
||||
of the GNU Free Documentation License from time to time. Such new
|
||||
versions will be similar in spirit to the present version, but may
|
||||
differ in detail to address new problems or concerns. See
|
||||
http://www.gnu.org/copyleft/.
|
||||
|
||||
Each version of the License is given a distinguishing version number.
|
||||
If the Document specifies that a particular numbered version of this
|
||||
License "or any later version" applies to it, you have the option of
|
||||
following the terms and conditions either of that specified version or
|
||||
of any later version that has been published (not as a draft) by the
|
||||
Free Software Foundation. If the Document does not specify a version
|
||||
number of this License, you may choose any version ever published (not
|
||||
as a draft) by the Free Software Foundation.
|
||||
|
||||
|
||||
ADDENDUM: How to use this License for your documents
|
||||
|
||||
To use this License in a document you have written, include a copy of
|
||||
the License in the document and put the following copyright and
|
||||
license notices just after the title page:
|
||||
|
||||
Copyright (c) YEAR YOUR NAME.
|
||||
Permission is granted to copy, distribute and/or modify this document
|
||||
under the terms of the GNU Free Documentation License, Version 1.1
|
||||
or any later version published by the Free Software Foundation;
|
||||
with the Invariant Sections being LIST THEIR TITLES, with the
|
||||
Front-Cover Texts being LIST, and with the Back-Cover Texts being LIST.
|
||||
A copy of the license is included in the section entitled "GNU
|
||||
Free Documentation License".
|
||||
|
||||
If you have no Invariant Sections, write "with no Invariant Sections"
|
||||
instead of saying which ones are invariant. If you have no
|
||||
Front-Cover Texts, write "no Front-Cover Texts" instead of
|
||||
"Front-Cover Texts being LIST"; likewise for Back-Cover Texts.
|
||||
|
||||
If your document contains nontrivial examples of program code, we
|
||||
recommend releasing these examples in parallel under your choice of
|
||||
free software license, such as the GNU General Public License,
|
||||
to permit their use in free software.
|
||||
@ -1,3 +1,25 @@
|
||||
|
||||
2000-11-01 Aaron Weber <aaron@helixcode.com>
|
||||
|
||||
* C/config-prefs.sgml: Fixed validation errors.
|
||||
|
||||
* C/apx-gloss.sgml: Fixed HTML, style stuff.
|
||||
|
||||
* C/usage-mail.sgml: Stylistic overhaul.
|
||||
|
||||
* C/usage-mainwindow.sgml: Fixed groups in shortcut bar, fixed
|
||||
folder navigation tips.
|
||||
|
||||
2000-10-31 Aaron Weber <aaron@helixcode.com>
|
||||
|
||||
* C/preface.sgml: Minor stylistic revisions.
|
||||
|
||||
2000-10-30 Aaron Weber <aaron@helixcode.com>
|
||||
|
||||
* COPYING-DOCS: New file. This is the official place to put the
|
||||
FDL now.
|
||||
|
||||
|
||||
2000-11-01 Radek Doulik <rodo@helixcode.com>
|
||||
|
||||
* Keybindings: added composer keybindings description
|
||||
|
||||
@ -158,10 +158,10 @@
|
||||
<glossterm>HTML</glossterm>
|
||||
<glossdef>
|
||||
<para>
|
||||
Hyper-text Markup Language(<acronym>HTML</acronym>) is the layout
|
||||
language which all web pages are written in. HTML can be used
|
||||
inside of e-mails to insert images, justify text different ways,
|
||||
and even include web pages inside the e-mail itself.
|
||||
Hyper-text Markup Language(<acronym>HTML</acronym>) is a language
|
||||
for describing page layout in electronic documents like web pages,
|
||||
help files, and email messages. HTML can be used in email and
|
||||
news posts to insert images and apply text treatments.
|
||||
</para>
|
||||
</glossdef>
|
||||
</glossentry>
|
||||
|
||||
@ -624,6 +624,9 @@
|
||||
<listitem><para>
|
||||
<guilabel>Root DN</guilabel> — enter the root DN here.
|
||||
</para></listitem>
|
||||
</itemizedlist>
|
||||
</para>
|
||||
</sect2>
|
||||
</sect1>
|
||||
|
||||
|
||||
|
||||
@ -19,6 +19,35 @@
|
||||
you'd rather deal with your email preferences later, click
|
||||
<guibutton>Cancel</guibutton>.
|
||||
</para>
|
||||
|
||||
<!--
|
||||
|
||||
|
||||
|
||||
Before you get it, though, you should decide where you want to
|
||||
keep it. Your options will vary a little depending on your
|
||||
network setup, but they come down to storing the mail on your
|
||||
hard disk (using <glossterm linkend="pop">POP</glossterm>), or
|
||||
storing it on the network (using <glossterm
|
||||
linkend="imap">IMAP</glossterm>). If you store your mail on
|
||||
your local hard disk, you can read it whether you're online or
|
||||
not, but you can only read it from one computer. If you store
|
||||
it on the network, you can only read it when you're online,
|
||||
but you can access it from almost any computer with a network
|
||||
connection, even if it doesn't have
|
||||
<application>Evolution</application>.
|
||||
|
||||
|
||||
If you choose POP, you'll be putting mail in the
|
||||
<guilabel>Inbox</guilabel> in the <guilabel>Local</guilabel>
|
||||
folder. If you choose IMAP, it's the
|
||||
<guilabel>Inbox</guilabel> of a folder with the same name as
|
||||
your mail server. That's so you can maintain several distinct
|
||||
IMAP servers if you want. See <xref
|
||||
linkend="config-prefs-mail"> for more information about mail
|
||||
servers.
|
||||
-->
|
||||
|
||||
<para>
|
||||
The setup assistant (sometimes called a
|
||||
<glossterm>Druid</glossterm>, by analogy with the "Wizards"
|
||||
|
||||
@ -15,10 +15,11 @@
|
||||
<application>Evolution</application>'s goal is to make the
|
||||
tasks of storing, organizing, and retrieving information
|
||||
easier, so you can work and communicate with others. That is,
|
||||
it's a more evolved <glossterm linkend="groupware">groupware</glossterm> program,
|
||||
an integral part of the Internet-connected desktop. On the
|
||||
inside, it's a powerful database; on the outside, it's a tool
|
||||
to help you get your work done.
|
||||
it's a highly evolved <glossterm
|
||||
linkend="groupware">groupware</glossterm> program, an integral
|
||||
part of the Internet-connected desktop. On the inside, it's a
|
||||
powerful database; on the outside, it's a tool to help you get
|
||||
your work done.
|
||||
</para>
|
||||
<para>
|
||||
Because it's part of the GNOME project,
|
||||
@ -58,15 +59,15 @@
|
||||
power and flexibility of the GNOME desktop environment.
|
||||
</para>
|
||||
<para>
|
||||
The developers of <application>Evolution</application> had
|
||||
four major goals for their project:
|
||||
The <application>Evolution</application> project has four
|
||||
central goals:
|
||||
|
||||
<itemizedlist>
|
||||
<listitem>
|
||||
<para>
|
||||
The application must be <emphasis>both powerful and easy
|
||||
to use</emphasis>. That means a familiar and intuitive
|
||||
interface that users could customize to their liking, and
|
||||
interface that users can customize to their liking, and
|
||||
the development of shortcuts for complex tasks.
|
||||
</para>
|
||||
</listitem>
|
||||
@ -74,10 +75,10 @@
|
||||
<para>
|
||||
<application>Evolution</application> must meet and
|
||||
exceed the standards set by other groupware products.
|
||||
It must include support for most major network
|
||||
<glossterm linkend="protocol">protocols</glossterm> so
|
||||
that it can integrate seamlessly with existing hardware
|
||||
and network environments.
|
||||
It must include support for major network <glossterm
|
||||
linkend="protocol">protocols</glossterm> so that it can
|
||||
integrate seamlessly with existing hardware and network
|
||||
environments.
|
||||
</para>
|
||||
</listitem>
|
||||
<listitem>
|
||||
@ -95,8 +96,8 @@
|
||||
<para>
|
||||
Data must be safe: <application>Evolution</application>
|
||||
must not lose mail, corrupt mailbox files or other
|
||||
data, execute arbitrary scripts, or delete files from
|
||||
your hard disk.
|
||||
data, execute arbitrary <glossterm linkend="script">scripts</glossterm>,
|
||||
or delete files from your hard disk.
|
||||
</para>
|
||||
</listitem>
|
||||
</itemizedlist>
|
||||
@ -123,7 +124,7 @@
|
||||
<para>
|
||||
This version of the <application>Evolution</application>
|
||||
User's Guide is a <emphasis>draft</emphasis>. It describes
|
||||
version 0.5.1 of the software. It is missing huge
|
||||
version 0.6 of the software. It is missing huge
|
||||
chunks of information, and many of the features it describes
|
||||
are unimplemented. All the content is subject to change,
|
||||
especially if you help. Please send comments on the guide to
|
||||
@ -172,7 +173,7 @@
|
||||
in</userinput></member> <member><computeroutput>Text
|
||||
output from a computer</computeroutput></member>
|
||||
<member><glossterm linkend="apx-gloss">Words</glossterm>
|
||||
that are defined in <xref linkend="apx-gloss">.</member>
|
||||
that are defined in the <xref linkend="apx-gloss">.</member>
|
||||
</simplelist>
|
||||
</para>
|
||||
</formalpara>
|
||||
@ -296,7 +297,7 @@
|
||||
<sect2 id="quickref-mail">
|
||||
<title>Mail Tasks</title>
|
||||
<para>
|
||||
Here are the most frequent email tasks:
|
||||
Here are the most frequent email tasks, and shortcuts for navigating your mailbox with the keyboard instead of the mouse:
|
||||
<variablelist>
|
||||
<varlistentry>
|
||||
<term>Check Mail</term>
|
||||
|
||||
@ -96,33 +96,32 @@
|
||||
bar. The most frequently used ones, like
|
||||
<guimenuitem>Reply</guimenuitem> and
|
||||
<guimenuitem>Forward</guimenuitem>, also appear as buttons in
|
||||
the toolbar.
|
||||
the toolbar, and almost all of them are duplicated in the
|
||||
right-click menu and as keyboard shortcuts, which tend to be
|
||||
faster once you get the hang of them. You can choose
|
||||
whichever way you like best; the idea is that the software
|
||||
should work the way you want, rather than making you work the
|
||||
way the it does.
|
||||
</para>
|
||||
<para>
|
||||
While you're there, have a look at the items items the bottom
|
||||
of the list, which are shortcuts for simple filter and
|
||||
vFolder creation. You can learn more about filters and
|
||||
vFolders in <xref linkend="usage-mail-organize">; a
|
||||
comprehensive description of this menu (and all the others)
|
||||
is in <xref linkend="menuref">.
|
||||
</para>
|
||||
|
||||
<sect3 id="usage-mail-listorder">
|
||||
<title>Sorting the message list</title>
|
||||
<para>
|
||||
You can also select the order in which messages appear in
|
||||
that list. To sort by sender, subject, or date, click on the
|
||||
bars with those labels at the top of the message list. If
|
||||
you click twice, you'll sort them in reverse order.
|
||||
One of the ways <application>Evolution</application> lets
|
||||
you choose the way you work is the way it lets you sort your
|
||||
message lists. To sort by sender, subject, or date, click
|
||||
on the bars with those labels at the top of the message
|
||||
list. If you click twice, you'll sort them in reverse
|
||||
order.
|
||||
</para>
|
||||
<para>
|
||||
Aside from sorting the messages, you can opt to have the
|
||||
messages threaded. Select <menuchoice>
|
||||
<guimenu>View</guimenu> <guimenuitem>Threaded</guimenuitem>
|
||||
</menuchoice> to turn the threaded view on or off. If the
|
||||
option selected, <application>Evolution</application> will
|
||||
attempt to associate related messages by using the
|
||||
<systemitem>References</systemitem>,
|
||||
You can also choose a threaded message view. Select
|
||||
<menuchoice> <guimenu>View</guimenu>
|
||||
<guimenuitem>Threaded</guimenuitem> </menuchoice> to turn
|
||||
the threaded view on or off. If the option selected,
|
||||
<application>Evolution</application> will attempt to
|
||||
associate related messages by using message ID numbers and
|
||||
the <systemitem>References</systemitem>,
|
||||
<systemitem>In-Reply-To</systemitem>, and
|
||||
<systemitem>Subject</systemitem> message headers. Messages
|
||||
which are related are then placed next to each other, so
|
||||
@ -133,11 +132,12 @@
|
||||
<sect3 id="usage-mail-getnsend-delete">
|
||||
<title>Deleting Mail</title>
|
||||
<para>
|
||||
To delete a message, select it in the the <interface>message
|
||||
list</interface> by clicking on it once. Then click on the
|
||||
<guibutton>Delete</guibutton> button in the tool bar. The
|
||||
message now has a line through it, because you've marked it
|
||||
for deletion.
|
||||
Once you've read your mail, you may want to get rid of
|
||||
it. To mark a message for deletion, select it in the the
|
||||
<interface>message list</interface> by clicking on it once.
|
||||
Then click on the <guibutton>Delete</guibutton> button in
|
||||
the tool bar. The message now has a line through it,
|
||||
because you've marked it for deletion.
|
||||
</para>
|
||||
<para>
|
||||
If you really want to get rid of it, choose
|
||||
@ -157,65 +157,37 @@
|
||||
<para>
|
||||
Now that you've had a look around the
|
||||
<interface>Inbox</interface>, it's time to check for new mail.
|
||||
Before you get it, though, you should decide where you want to
|
||||
keep it. Your options will vary a little depending on your
|
||||
network setup, but they come down to storing the mail on your
|
||||
hard disk (using <glossterm linkend="pop">POP</glossterm>), or
|
||||
storing it on the network (using <glossterm
|
||||
linkend="imap">IMAP</glossterm>). If you store your mail on
|
||||
your local hard disk, you can read it whether you're online or
|
||||
not, but you can only read it from one computer. If you store
|
||||
it on the network, you can only read it when you're online,
|
||||
but you can access it from almost any computer with a network
|
||||
connection, even if it doesn't have
|
||||
<application>Evolution</application>.
|
||||
Click <guibutton>Get mail</guibutton> in the toolbar to check
|
||||
your mail. If it's the first time you've done so, the
|
||||
<interface>mail setup assistant</interface> will ask you for
|
||||
the information it needs to check your mail (see <xref
|
||||
linkend="config-setupassist"> for more information).
|
||||
</para>
|
||||
<para>
|
||||
Then, you need to enter your email
|
||||
password. <application>Evolution</application> will remember
|
||||
the password until you quit the application or until you
|
||||
select <menuchoice> <guimenu>Settings</guimenu>
|
||||
<guimenuitem>Forget Passwords</guimenuitem> </menuchoice>.
|
||||
</para>
|
||||
<para>
|
||||
If you choose POP, you'll be putting mail in the
|
||||
<guilabel>Inbox</guilabel> in the <guilabel>Local</guilabel>
|
||||
folder. If you choose IMAP, it's the
|
||||
<guilabel>Inbox</guilabel> of a folder with the same name as
|
||||
your mail server. That's so you can maintain several distinct
|
||||
IMAP servers if you want. See <xref
|
||||
linkend="config-prefs-mail"> for more information about mail
|
||||
servers.
|
||||
Once it's validated the password,
|
||||
<application>Evolution</application> will check your mail.
|
||||
New mail will appear in the local <interface>Inbox</interface>
|
||||
if you're using a <glossterm>POP</glossterm> account, and in
|
||||
your <glossterm>IMAP</glossterm> folders if you use IMAP.
|
||||
</para>
|
||||
<para>
|
||||
Regardless of where you keep your mail, you can click
|
||||
<guibutton>Get mail</guibutton> in the toolbar to check your
|
||||
mail. The first time you do that, the <interface>mail setup
|
||||
assistant</interface> will ask you for the information it
|
||||
needs to check your mail (see <xref
|
||||
linkend="config-setupassist"> for more information). If
|
||||
you're checking mail over a network (instead of from local
|
||||
<systemitem><filename>mbox</filename></systemitem> files),
|
||||
you'll need to enter your email password. Type it in, click
|
||||
<guibutton>OK</guibutton> and
|
||||
<application>Evolution</application> will download your mail.
|
||||
New mail will appear in your <interface>Inbox</interface>.
|
||||
|
||||
<note id="badmailsettings">
|
||||
<title>Can't Check Mail?</title>
|
||||
<para>
|
||||
If you get an error message instead of mail, you probably need
|
||||
to change your network settings. To learn how to do that,
|
||||
have a look at <xref linkend="config-prefs-mail-network">, or
|
||||
ask your system administrator.
|
||||
</para>
|
||||
<para>
|
||||
Once you've entered your password,
|
||||
<application>Evolution</application> will hold it in memory so
|
||||
that you don't have to retype it every time you want to check
|
||||
mail. It will only remember the password until you quit the
|
||||
application; each time you run
|
||||
<application>Evolution</application>, you need to re-enter
|
||||
your password. If you'd like
|
||||
<application>Evolution</application> to forget your password
|
||||
sooner, select
|
||||
<menuchoice><guimenu>Settings</guimenu><guimenuitem>Forget
|
||||
Passwords</guimenuitem></menuchoice>, and it will do so
|
||||
immediately.
|
||||
</para>
|
||||
<para>
|
||||
If you get an error message instead of mail, you probably
|
||||
need to change your network settings. To learn how to
|
||||
do that, have a look at <xref
|
||||
linkend="config-prefs-mail-network">, or ask your system
|
||||
administrator.
|
||||
</para>
|
||||
|
||||
</note>
|
||||
|
||||
<sect3 id="usage-mail-getnsend-get-news">
|
||||
<title>Using Evolution for News </title>
|
||||
<para>
|
||||
@ -223,23 +195,22 @@
|
||||
read them side by side. If you want to do that, add a news
|
||||
source to your configuration (see <xref
|
||||
linkend="config-prefs-network-news">). The news server will
|
||||
appear as a remote server, and will look exactly like an IMAP
|
||||
folder, except that you can't delete messages from it. When
|
||||
you click <guibutton>Get Mail</guibutton>,
|
||||
appear as a remote server, and will look quite similar to an
|
||||
IMAP folder. When you click <guibutton>Get Mail</guibutton>,
|
||||
<application>Evolution</application> will also check for news
|
||||
messages. If you prefer to use a different program, there's
|
||||
always <application>Pan</application>.
|
||||
messages.
|
||||
</para>
|
||||
</sect3>
|
||||
|
||||
<sect3 id="usage-mail-getnsend-get-attach">
|
||||
<title>Attachments, HTML Mail, and Live Documents</title>
|
||||
<title>Attachments and HTML Mail</title>
|
||||
<para>
|
||||
If someone sends you a file attached to an email (an
|
||||
"attachment"), <application>Evolution</application> will
|
||||
display the file at the bottom of the message to which it's
|
||||
attached. Text, HTML, and most images will be displayed in
|
||||
the message itself. For other files,
|
||||
If someone sends you an <glossterm>attachment</glossterm>, a
|
||||
file attached to an email,
|
||||
<application>Evolution</application> will display the file
|
||||
at the bottom of the message to which it's attached. Text,
|
||||
HTML, and most images will be displayed within the message
|
||||
itself. For other files,
|
||||
<application>Evolution</application> will provide a link and
|
||||
icon at the end of the message. Click on that, and
|
||||
<application>Evolution</application> will ask you where you
|
||||
@ -247,6 +218,12 @@
|
||||
saved the file, you can open, move, copy, or execute it just
|
||||
like any other, using <application>Nautilus</application> or
|
||||
your favorite shell or file manager.
|
||||
</para>
|
||||
<para>
|
||||
As usual, there's a shortcut here: right-click on the link,
|
||||
and choose an application for the file: you can send an
|
||||
image straight to the <application>GIMP</application>, or a
|
||||
spredsheet straight to <application>Gnumeric</application>.
|
||||
</para>
|
||||
|
||||
<para>
|
||||
@ -255,7 +232,6 @@
|
||||
formatting will display automatically, although you can
|
||||
turn it off if you prefer.
|
||||
</para>
|
||||
|
||||
</sect3>
|
||||
</sect2>
|
||||
|
||||
@ -289,10 +265,10 @@
|
||||
Enter an address in the <guilabel>To:</guilabel> field, a
|
||||
subject in the <guilabel>Subject:</guilabel> and a message in
|
||||
the big empty box at the bottom of the window, and press
|
||||
<guibutton>Send</guibutton>. That's easy. It may even be
|
||||
too easy, which is why I like to queue my messages up to be
|
||||
sent a few minutes later.
|
||||
<guibutton>Send</guibutton>. That's easy, although it can
|
||||
get a little more complicated if you want.
|
||||
</para>
|
||||
|
||||
<sect3 id="usage-mail-getnsend-send-delay">
|
||||
<title>Saving Messages for Later</title>
|
||||
<para>
|
||||
@ -308,6 +284,11 @@
|
||||
mind about a message before it goes out. That way, I don't
|
||||
send anything I'll regret the next day.
|
||||
</para>
|
||||
<para>
|
||||
To learn more about how you can specify message queue and
|
||||
filter behavior, see <xref linkend="config-prefs-mail">.
|
||||
</para>
|
||||
|
||||
<para>
|
||||
You can also choose to save messages as drafts or as text
|
||||
files. Choose
|
||||
@ -322,23 +303,20 @@
|
||||
<guimenu>File</guimenu> <guimenuitem>Save In
|
||||
Folder</guimenuitem> </menuchoice>.
|
||||
</para>
|
||||
<para>
|
||||
To learn more about how you can specify message queue and
|
||||
filter behavior, see <xref linkend="config-prefs-mail">.
|
||||
</para>
|
||||
|
||||
<para>
|
||||
</sect3>
|
||||
<sect3 id="usage-mail-getnsend-send-compose">
|
||||
<title>Advanced Mail Composition</title>
|
||||
<para>
|
||||
You can probably guess the purpose of the buttons labelled
|
||||
<guibutton>Cut</guibutton>, <guibutton>Copy</guibutton>,
|
||||
<guibutton>Paste</guibutton>, <guibutton>Undo</guibutton>
|
||||
and <guibutton>Redo</guibutton> , but there's a bit more to
|
||||
and <guibutton>Redo</guibutton>, but there's a bit more to
|
||||
sending mail that's less obvious. In the next few sections,
|
||||
you'll see how <application>Evolution</application> handles
|
||||
additional features, including large recipient lists,
|
||||
attachments, and forwarding.
|
||||
</para>
|
||||
</sect3>
|
||||
<sect3 id="usage-mail-getnsend-send-attach">
|
||||
<sect4 id="usage-mail-getnsend-send-attach">
|
||||
<title>Attachments</title>
|
||||
<para>
|
||||
If you want to attach a file to your email message, you
|
||||
@ -353,58 +331,28 @@
|
||||
<para>
|
||||
To see what files you've attached to the message you're
|
||||
composing, select <menuchoice> <guimenu>View</guimenu>
|
||||
<guimenuitem>Show Attachments</guimenuitem> </menuchoice>.
|
||||
<guimenuitem>Show Attachments</guimenuitem> </menuchoice>;
|
||||
to hide them again, choose <guimenuitem>Hide
|
||||
Attachments</guimenuitem>.
|
||||
</para>
|
||||
<para>
|
||||
When you send the message, a copy of the attached file
|
||||
will go with it. Be aware that big attachments can take a
|
||||
long time to download.
|
||||
</para>
|
||||
</sect3>
|
||||
<sect3 id="usage-mail-getnsend-send-to">
|
||||
<title>Choosing Recipients</title>
|
||||
<para>
|
||||
If you have created address cards in the contact manager,
|
||||
you can also enter nicknames or other portions of address
|
||||
data, and <application>Evolution</application> will complete
|
||||
the address for you. <!-- (INSERT description of UI for this
|
||||
feature, once it is decided upon). --> If you enter a name
|
||||
or nickname that can go with more than one card, Evolution
|
||||
will open a dialog box to ask you which person you meant.
|
||||
<!-- (NOT YET) Also, <application>Evolution</application>
|
||||
will add a domain to any unqualified addresses. By default,
|
||||
this is your domain, but you can choose which one mail
|
||||
preferences dialog. -->
|
||||
</para>
|
||||
</sect4>
|
||||
<sect4 id="usage-mail-getnsend-send-to-types">
|
||||
<title>Types of Recipients</title>
|
||||
<para>
|
||||
Alternately, you can click on the
|
||||
<guibutton>To:</guibutton>, <guibutton>Cc:</guibutton>, or
|
||||
<guibutton>Bcc:</guibutton> buttons to get a list of email
|
||||
addresses. Click the check-boxes next to the addresses, then
|
||||
click <guibutton>OK</guibutton>, and the address will be
|
||||
added to the appropriate form field.
|
||||
</para>
|
||||
<para>
|
||||
For more information about using email together with the
|
||||
contact manager and the calendar, see <xref
|
||||
linkend="usage-contact-automate"> and <xref
|
||||
linkend="usage-calendar-apts">.
|
||||
</para>
|
||||
|
||||
<sect4 id="usage-mail-getnsend-send-to-mult">
|
||||
<title>Multiple Recipients</title>
|
||||
<para>
|
||||
<application>Evolution</application>, like all email
|
||||
programs (at least, all the ones in current use)
|
||||
recognizes three types of addressee: primary recipients,
|
||||
secondary recipients, and hidden ("blind") recipients. The
|
||||
<guilabel>To:</guilabel> field is for the primary
|
||||
recipients of the message you are going to send.
|
||||
secondary recipients, and hidden ("blind") recipients.
|
||||
</para>
|
||||
<para>
|
||||
The simplest way to direct a message is to put the email
|
||||
address or addresses in the <guilabel>To:</guilabel>
|
||||
field, to denote primary recipients. However, it is
|
||||
field, which denotes primary recipients. However, it's
|
||||
considered bad form to have more than a few email
|
||||
addresses in this section. If you are sending mail to
|
||||
more than one or two people, consider the
|
||||
@ -455,24 +403,57 @@
|
||||
</example>
|
||||
</para>
|
||||
</sect4>
|
||||
</sect3>
|
||||
|
||||
<sect3 id="usage-mail-getnsend-send-reply">
|
||||
<sect4 id="usage-mail-getnsend-send-to">
|
||||
<title>Choosing Recipients Quickly</title>
|
||||
<para>
|
||||
If you have created address cards in the contact manager,
|
||||
you can also enter nicknames or other portions of address
|
||||
data, and <application>Evolution</application> will complete
|
||||
the address for you. <!-- (INSERT description of UI for this
|
||||
feature, once it is decided upon). --> If you enter a name
|
||||
or nickname that can go with more than one card, Evolution
|
||||
will open a dialog box to ask you which person you meant.
|
||||
<!-- (NOT YET) Also, <application>Evolution</application>
|
||||
will add a domain to any unqualified addresses. By default,
|
||||
this is your domain, but you can choose which one mail
|
||||
preferences dialog. -->
|
||||
</para>
|
||||
<para>
|
||||
Alternately, you can click on the
|
||||
<guibutton>To:</guibutton>, <guibutton>Cc:</guibutton>, or
|
||||
<guibutton>Bcc:</guibutton> buttons to get a list —
|
||||
potentially a very long one — of the email addresses
|
||||
in your contact manager. Select addresses and click on
|
||||
the arrows to move them into the appropriate address
|
||||
columns.
|
||||
</para>
|
||||
<para>
|
||||
For more information about using email together with the
|
||||
contact manager and the calendar, see <xref
|
||||
linkend="usage-contact-automate"> and <xref
|
||||
linkend="usage-calendar-apts">.
|
||||
</para>
|
||||
</sect4>
|
||||
</sect3>
|
||||
|
||||
<sect3 id="usage-mail-getnsend-send-reply">
|
||||
<title>Replying to Messages</title>
|
||||
<para>
|
||||
In order to reply to a message, click on it once in the
|
||||
message list to select it. Then press the
|
||||
<guibutton>Reply</guibutton> button. A window like the
|
||||
<interface>New Message</interface> window will appear, but
|
||||
the subject will already be present— the same subject
|
||||
as the message to which you are replying, but with Re:
|
||||
before it, to mark it as a reply. In addition, the full
|
||||
text of the previous message is inserted into the new
|
||||
message, either in italics (for HTML display) or with the
|
||||
> character (in plain text mode) before each line. This
|
||||
indicates quoting. You can intersperse your message with
|
||||
the quoted material as shown in <xref
|
||||
linkend="usage-mail-getnsend-reply-fig">
|
||||
To reply to a message, press the
|
||||
<guibutton>Reply</guibutton> button while it is selected,
|
||||
or choose <guimenuitem>Reply to Sender</guimenuitem> from
|
||||
the message's right-click menu. That will open
|
||||
<interface>message composer</interface>. The
|
||||
<guilabel>To:</guilabel> and <guilabel>Subject</guilabel>
|
||||
fields will already be filled, although you can alter them
|
||||
if you wish. In addition, the full text of the old message
|
||||
is inserted into the new message, either in italics (for
|
||||
HTML display) or with the > character (in plain text
|
||||
mode) before each line, to indicate that it's part of the
|
||||
previous message. People often intersperse their message
|
||||
with the quoted material as shown in <xref
|
||||
linkend="usage-mail-getnsend-reply-fig">.
|
||||
|
||||
<!-- note that this figure should have a reply mail ready to send,
|
||||
with quoted materials and the relevant replies interspersed-->
|
||||
@ -489,15 +470,14 @@ with quoted materials and the relevant replies interspersed-->
|
||||
</para>
|
||||
|
||||
<para>
|
||||
If a message has several recipients, as in the case of
|
||||
mailing lists or messages that have been carbon copied, you
|
||||
may wish to click <guibutton>Reply to All</guibutton>
|
||||
instead of <guibutton>Reply</guibutton>. If there are large
|
||||
numbers of people in the <guilabel>Cc:</guilabel> or
|
||||
<guilabel>To:</guilabel> fields, this can save substantial
|
||||
amounts of time. But be careful, and always make sure you
|
||||
know who is getting a message: it could be a mailing list
|
||||
with thousands of subscribers.
|
||||
If you're reading a message with several recipients, you may
|
||||
wish to use <guibutton>Reply to All</guibutton> instead of
|
||||
<guibutton>Reply</guibutton>. If there are large numbers
|
||||
of people in the <guilabel>Cc:</guilabel> or
|
||||
<guilabel>To:</guilabel> fields, this can save substantial
|
||||
amounts of time. But be careful, and always make sure you
|
||||
know who is getting a message: one address could be a
|
||||
mailing list with thousands of subscribers.
|
||||
<example>
|
||||
<title>Using the Reply to All feature</title>
|
||||
<para>
|
||||
@ -552,7 +532,7 @@ with quoted materials and the relevant replies interspersed-->
|
||||
<varlistentry>
|
||||
<term><guimenuitem>Replace</guimenuitem></term>
|
||||
<listitem><para>
|
||||
Find a word or phrase, replace it with
|
||||
Find a word or phrase, and replace it with
|
||||
something else.
|
||||
</para></listitem>
|
||||
</varlistentry>
|
||||
@ -575,11 +555,13 @@ with quoted materials and the relevant replies interspersed-->
|
||||
<para>
|
||||
You can't normally use text treatments or pictures in
|
||||
emails, which is why you've probably seen people use far
|
||||
too many exclamation points for emphasis or use
|
||||
<glossterm linkend="emoticon">emoticons</glossterm> to convey their feelings.
|
||||
However, most of the newer email programs can include and
|
||||
display images and text treatments as well as basic
|
||||
alignment and paragraph formatting.
|
||||
too many exclamation points for emphasis or use <glossterm
|
||||
linkend="emoticon">emoticons</glossterm> to convey their
|
||||
feelings. However, most of the newer email programs can
|
||||
include and display images and text treatments as well as
|
||||
basic alignment and paragraph formatting. They do this
|
||||
with <glossterm linkend="html">HTML</glossterm>, just like
|
||||
web sites do.
|
||||
</para>
|
||||
<note>
|
||||
<title>HTML Mail is not a Default Setting</title>
|
||||
|
||||
@ -50,11 +50,9 @@
|
||||
The appearance of both <application>Evolution</application>
|
||||
and <application>GNOME</application> is very easy to
|
||||
customize, so your screen might not look like this picture.
|
||||
You might configure <application>Evolution</application> to
|
||||
start with a different view, without the <interface>shortcut
|
||||
bar</interface>, or with the <link
|
||||
linkend="usage-mainwindow-folderbar">folder bar</link>
|
||||
instead.
|
||||
You might decide to have <application>Evolution</application>
|
||||
start with the calendar and a folder bar, or with the contact
|
||||
manager occupying the entire window.
|
||||
</para>
|
||||
</note>
|
||||
</para>
|
||||
@ -70,10 +68,10 @@
|
||||
like <guilabel>Inbox</guilabel> and
|
||||
<guilabel>Contacts</guilabel> are the shortcuts, and you can
|
||||
select different groups of shortcuts by clicking the
|
||||
rectangular category buttons.
|
||||
rectangular group buttons.
|
||||
</para>
|
||||
<para>
|
||||
The category buttons are <guibutton>Evolution
|
||||
The shortcut group buttons are <guibutton>Evolution
|
||||
Shortcuts</guibutton> and <guibutton>Internet
|
||||
Directories</guibutton>. When you click on them, they'll slide
|
||||
up and down to give you access to different sorts of shortcuts.
|
||||
@ -83,9 +81,12 @@
|
||||
Directories</guilabel>, it will slide up and you'll see buttons
|
||||
for the <guilabel>Bigfoot</guilabel> and
|
||||
<guilabel>Netcenter</guilabel> directories, as well as any
|
||||
others you or your system administrator might have added.
|
||||
Internet directories behave a lot like the local contact
|
||||
manager, which is covered in <xref linkend="usage-contact">.
|
||||
others you or your system administrator might have added. You
|
||||
can add more groups by right-clicking on the background of the
|
||||
shortcut bar and selecting <guimenuitem>Menu
|
||||
Group</guimenuitem>. Internet directories behave a lot like
|
||||
the local contact manager, which is covered in <xref
|
||||
linkend="usage-contact">.
|
||||
</para>
|
||||
<para>
|
||||
Take a look at the <guilabel>Evolution Shortcuts</guilabel>
|
||||
@ -192,16 +193,6 @@
|
||||
empty space on the shortcut bar. From the menu that appears,
|
||||
you can select icon sizes.
|
||||
</para>
|
||||
<para>
|
||||
You don't need the folder bar to move between folders. You
|
||||
can use <menuchoice> <guimenu>File</guimenu> <guimenuitem>Go
|
||||
to Folder...</guimenuitem> </menuchoice> to move to a
|
||||
particular folder. It's faster, however, to click on the
|
||||
<guilabel>Inbox</guilabel> label just below the toolbar, to
|
||||
the right of the shortcut bar, and select a folder from
|
||||
there. The <guilabel>Inbox</guilabel> label will change to
|
||||
reflect your location in the folder tree.
|
||||
</para>
|
||||
</tip>
|
||||
</sect1>
|
||||
|
||||
@ -258,6 +249,16 @@
|
||||
</itemizedlist>
|
||||
|
||||
</para>
|
||||
<tip id="foldertips">
|
||||
<title>Navigating without the Folder Bar</title>
|
||||
<para>
|
||||
You don't need the folder bar or the shortcut bar to move
|
||||
around the main window. You can use <keycap>Tab</keycap> to
|
||||
switch from one part of the window to another, and the folder
|
||||
menu on the right side of the window just below the toolbar
|
||||
to move about the folder tree.
|
||||
</para>
|
||||
</tip>
|
||||
|
||||
<para>
|
||||
To create a new folder, select <menuchoice>
|
||||
@ -295,11 +296,11 @@
|
||||
<tip>
|
||||
<title>Context-Sensitive Help</title>
|
||||
<para>
|
||||
GNOME 2.0 supports context-sensitive help, which means you can
|
||||
almost always get help on an item by right-clicking it. If
|
||||
you're not sure what something is, or don't know what you can
|
||||
do with it, choosing <guimenuitem>Help</guimenuitem> from the
|
||||
right-click menu is a good way to find out.
|
||||
GNOME 2.0 will support context-sensitive help, which means you
|
||||
can almost always get help on an item by right-clicking it.
|
||||
If you're not sure what something is, or don't know what you
|
||||
can do with it, choosing <guimenuitem>Help</guimenuitem> from
|
||||
the right-click menu is a good way to find out.
|
||||
</para>
|
||||
</tip>
|
||||
|
||||
|
||||
355
help/COPYING-DOCS
Normal file
355
help/COPYING-DOCS
Normal file
@ -0,0 +1,355 @@
|
||||
GNU Free Documentation License
|
||||
Version 1.1, March 2000
|
||||
|
||||
Copyright (C) 2000 Free Software Foundation, Inc.
|
||||
59 Temple Place, Suite 330, Boston, MA 02111-1307 USA
|
||||
Everyone is permitted to copy and distribute verbatim copies
|
||||
of this license document, but changing it is not allowed.
|
||||
|
||||
|
||||
0. PREAMBLE
|
||||
|
||||
The purpose of this License is to make a manual, textbook, or other
|
||||
written document "free" in the sense of freedom: to assure everyone
|
||||
the effective freedom to copy and redistribute it, with or without
|
||||
modifying it, either commercially or noncommercially. Secondarily,
|
||||
this License preserves for the author and publisher a way to get
|
||||
credit for their work, while not being considered responsible for
|
||||
modifications made by others.
|
||||
|
||||
This License is a kind of "copyleft", which means that derivative
|
||||
works of the document must themselves be free in the same sense. It
|
||||
complements the GNU General Public License, which is a copyleft
|
||||
license designed for free software.
|
||||
|
||||
We have designed this License in order to use it for manuals for free
|
||||
software, because free software needs free documentation: a free
|
||||
program should come with manuals providing the same freedoms that the
|
||||
software does. But this License is not limited to software manuals;
|
||||
it can be used for any textual work, regardless of subject matter or
|
||||
whether it is published as a printed book. We recommend this License
|
||||
principally for works whose purpose is instruction or reference.
|
||||
|
||||
|
||||
1. APPLICABILITY AND DEFINITIONS
|
||||
|
||||
This License applies to any manual or other work that contains a
|
||||
notice placed by the copyright holder saying it can be distributed
|
||||
under the terms of this License. The "Document", below, refers to any
|
||||
such manual or work. Any member of the public is a licensee, and is
|
||||
addressed as "you".
|
||||
|
||||
A "Modified Version" of the Document means any work containing the
|
||||
Document or a portion of it, either copied verbatim, or with
|
||||
modifications and/or translated into another language.
|
||||
|
||||
A "Secondary Section" is a named appendix or a front-matter section of
|
||||
the Document that deals exclusively with the relationship of the
|
||||
publishers or authors of the Document to the Document's overall subject
|
||||
(or to related matters) and contains nothing that could fall directly
|
||||
within that overall subject. (For example, if the Document is in part a
|
||||
textbook of mathematics, a Secondary Section may not explain any
|
||||
mathematics.) The relationship could be a matter of historical
|
||||
connection with the subject or with related matters, or of legal,
|
||||
commercial, philosophical, ethical or political position regarding
|
||||
them.
|
||||
|
||||
The "Invariant Sections" are certain Secondary Sections whose titles
|
||||
are designated, as being those of Invariant Sections, in the notice
|
||||
that says that the Document is released under this License.
|
||||
|
||||
The "Cover Texts" are certain short passages of text that are listed,
|
||||
as Front-Cover Texts or Back-Cover Texts, in the notice that says that
|
||||
the Document is released under this License.
|
||||
|
||||
A "Transparent" copy of the Document means a machine-readable copy,
|
||||
represented in a format whose specification is available to the
|
||||
general public, whose contents can be viewed and edited directly and
|
||||
straightforwardly with generic text editors or (for images composed of
|
||||
pixels) generic paint programs or (for drawings) some widely available
|
||||
drawing editor, and that is suitable for input to text formatters or
|
||||
for automatic translation to a variety of formats suitable for input
|
||||
to text formatters. A copy made in an otherwise Transparent file
|
||||
format whose markup has been designed to thwart or discourage
|
||||
subsequent modification by readers is not Transparent. A copy that is
|
||||
not "Transparent" is called "Opaque".
|
||||
|
||||
Examples of suitable formats for Transparent copies include plain
|
||||
ASCII without markup, Texinfo input format, LaTeX input format, SGML
|
||||
or XML using a publicly available DTD, and standard-conforming simple
|
||||
HTML designed for human modification. Opaque formats include
|
||||
PostScript, PDF, proprietary formats that can be read and edited only
|
||||
by proprietary word processors, SGML or XML for which the DTD and/or
|
||||
processing tools are not generally available, and the
|
||||
machine-generated HTML produced by some word processors for output
|
||||
purposes only.
|
||||
|
||||
The "Title Page" means, for a printed book, the title page itself,
|
||||
plus such following pages as are needed to hold, legibly, the material
|
||||
this License requires to appear in the title page. For works in
|
||||
formats which do not have any title page as such, "Title Page" means
|
||||
the text near the most prominent appearance of the work's title,
|
||||
preceding the beginning of the body of the text.
|
||||
|
||||
|
||||
2. VERBATIM COPYING
|
||||
|
||||
You may copy and distribute the Document in any medium, either
|
||||
commercially or noncommercially, provided that this License, the
|
||||
copyright notices, and the license notice saying this License applies
|
||||
to the Document are reproduced in all copies, and that you add no other
|
||||
conditions whatsoever to those of this License. You may not use
|
||||
technical measures to obstruct or control the reading or further
|
||||
copying of the copies you make or distribute. However, you may accept
|
||||
compensation in exchange for copies. If you distribute a large enough
|
||||
number of copies you must also follow the conditions in section 3.
|
||||
|
||||
You may also lend copies, under the same conditions stated above, and
|
||||
you may publicly display copies.
|
||||
|
||||
|
||||
3. COPYING IN QUANTITY
|
||||
|
||||
If you publish printed copies of the Document numbering more than 100,
|
||||
and the Document's license notice requires Cover Texts, you must enclose
|
||||
the copies in covers that carry, clearly and legibly, all these Cover
|
||||
Texts: Front-Cover Texts on the front cover, and Back-Cover Texts on
|
||||
the back cover. Both covers must also clearly and legibly identify
|
||||
you as the publisher of these copies. The front cover must present
|
||||
the full title with all words of the title equally prominent and
|
||||
visible. You may add other material on the covers in addition.
|
||||
Copying with changes limited to the covers, as long as they preserve
|
||||
the title of the Document and satisfy these conditions, can be treated
|
||||
as verbatim copying in other respects.
|
||||
|
||||
If the required texts for either cover are too voluminous to fit
|
||||
legibly, you should put the first ones listed (as many as fit
|
||||
reasonably) on the actual cover, and continue the rest onto adjacent
|
||||
pages.
|
||||
|
||||
If you publish or distribute Opaque copies of the Document numbering
|
||||
more than 100, you must either include a machine-readable Transparent
|
||||
copy along with each Opaque copy, or state in or with each Opaque copy
|
||||
a publicly-accessible computer-network location containing a complete
|
||||
Transparent copy of the Document, free of added material, which the
|
||||
general network-using public has access to download anonymously at no
|
||||
charge using public-standard network protocols. If you use the latter
|
||||
option, you must take reasonably prudent steps, when you begin
|
||||
distribution of Opaque copies in quantity, to ensure that this
|
||||
Transparent copy will remain thus accessible at the stated location
|
||||
until at least one year after the last time you distribute an Opaque
|
||||
copy (directly or through your agents or retailers) of that edition to
|
||||
the public.
|
||||
|
||||
It is requested, but not required, that you contact the authors of the
|
||||
Document well before redistributing any large number of copies, to give
|
||||
them a chance to provide you with an updated version of the Document.
|
||||
|
||||
|
||||
4. MODIFICATIONS
|
||||
|
||||
You may copy and distribute a Modified Version of the Document under
|
||||
the conditions of sections 2 and 3 above, provided that you release
|
||||
the Modified Version under precisely this License, with the Modified
|
||||
Version filling the role of the Document, thus licensing distribution
|
||||
and modification of the Modified Version to whoever possesses a copy
|
||||
of it. In addition, you must do these things in the Modified Version:
|
||||
|
||||
A. Use in the Title Page (and on the covers, if any) a title distinct
|
||||
from that of the Document, and from those of previous versions
|
||||
(which should, if there were any, be listed in the History section
|
||||
of the Document). You may use the same title as a previous version
|
||||
if the original publisher of that version gives permission.
|
||||
B. List on the Title Page, as authors, one or more persons or entities
|
||||
responsible for authorship of the modifications in the Modified
|
||||
Version, together with at least five of the principal authors of the
|
||||
Document (all of its principal authors, if it has less than five).
|
||||
C. State on the Title page the name of the publisher of the
|
||||
Modified Version, as the publisher.
|
||||
D. Preserve all the copyright notices of the Document.
|
||||
E. Add an appropriate copyright notice for your modifications
|
||||
adjacent to the other copyright notices.
|
||||
F. Include, immediately after the copyright notices, a license notice
|
||||
giving the public permission to use the Modified Version under the
|
||||
terms of this License, in the form shown in the Addendum below.
|
||||
G. Preserve in that license notice the full lists of Invariant Sections
|
||||
and required Cover Texts given in the Document's license notice.
|
||||
H. Include an unaltered copy of this License.
|
||||
I. Preserve the section entitled "History", and its title, and add to
|
||||
it an item stating at least the title, year, new authors, and
|
||||
publisher of the Modified Version as given on the Title Page. If
|
||||
there is no section entitled "History" in the Document, create one
|
||||
stating the title, year, authors, and publisher of the Document as
|
||||
given on its Title Page, then add an item describing the Modified
|
||||
Version as stated in the previous sentence.
|
||||
J. Preserve the network location, if any, given in the Document for
|
||||
public access to a Transparent copy of the Document, and likewise
|
||||
the network locations given in the Document for previous versions
|
||||
it was based on. These may be placed in the "History" section.
|
||||
You may omit a network location for a work that was published at
|
||||
least four years before the Document itself, or if the original
|
||||
publisher of the version it refers to gives permission.
|
||||
K. In any section entitled "Acknowledgements" or "Dedications",
|
||||
preserve the section's title, and preserve in the section all the
|
||||
substance and tone of each of the contributor acknowledgements
|
||||
and/or dedications given therein.
|
||||
L. Preserve all the Invariant Sections of the Document,
|
||||
unaltered in their text and in their titles. Section numbers
|
||||
or the equivalent are not considered part of the section titles.
|
||||
M. Delete any section entitled "Endorsements". Such a section
|
||||
may not be included in the Modified Version.
|
||||
N. Do not retitle any existing section as "Endorsements"
|
||||
or to conflict in title with any Invariant Section.
|
||||
|
||||
If the Modified Version includes new front-matter sections or
|
||||
appendices that qualify as Secondary Sections and contain no material
|
||||
copied from the Document, you may at your option designate some or all
|
||||
of these sections as invariant. To do this, add their titles to the
|
||||
list of Invariant Sections in the Modified Version's license notice.
|
||||
These titles must be distinct from any other section titles.
|
||||
|
||||
You may add a section entitled "Endorsements", provided it contains
|
||||
nothing but endorsements of your Modified Version by various
|
||||
parties--for example, statements of peer review or that the text has
|
||||
been approved by an organization as the authoritative definition of a
|
||||
standard.
|
||||
|
||||
You may add a passage of up to five words as a Front-Cover Text, and a
|
||||
passage of up to 25 words as a Back-Cover Text, to the end of the list
|
||||
of Cover Texts in the Modified Version. Only one passage of
|
||||
Front-Cover Text and one of Back-Cover Text may be added by (or
|
||||
through arrangements made by) any one entity. If the Document already
|
||||
includes a cover text for the same cover, previously added by you or
|
||||
by arrangement made by the same entity you are acting on behalf of,
|
||||
you may not add another; but you may replace the old one, on explicit
|
||||
permission from the previous publisher that added the old one.
|
||||
|
||||
The author(s) and publisher(s) of the Document do not by this License
|
||||
give permission to use their names for publicity for or to assert or
|
||||
imply endorsement of any Modified Version.
|
||||
|
||||
|
||||
5. COMBINING DOCUMENTS
|
||||
|
||||
You may combine the Document with other documents released under this
|
||||
License, under the terms defined in section 4 above for modified
|
||||
versions, provided that you include in the combination all of the
|
||||
Invariant Sections of all of the original documents, unmodified, and
|
||||
list them all as Invariant Sections of your combined work in its
|
||||
license notice.
|
||||
|
||||
The combined work need only contain one copy of this License, and
|
||||
multiple identical Invariant Sections may be replaced with a single
|
||||
copy. If there are multiple Invariant Sections with the same name but
|
||||
different contents, make the title of each such section unique by
|
||||
adding at the end of it, in parentheses, the name of the original
|
||||
author or publisher of that section if known, or else a unique number.
|
||||
Make the same adjustment to the section titles in the list of
|
||||
Invariant Sections in the license notice of the combined work.
|
||||
|
||||
In the combination, you must combine any sections entitled "History"
|
||||
in the various original documents, forming one section entitled
|
||||
"History"; likewise combine any sections entitled "Acknowledgements",
|
||||
and any sections entitled "Dedications". You must delete all sections
|
||||
entitled "Endorsements."
|
||||
|
||||
|
||||
6. COLLECTIONS OF DOCUMENTS
|
||||
|
||||
You may make a collection consisting of the Document and other documents
|
||||
released under this License, and replace the individual copies of this
|
||||
License in the various documents with a single copy that is included in
|
||||
the collection, provided that you follow the rules of this License for
|
||||
verbatim copying of each of the documents in all other respects.
|
||||
|
||||
You may extract a single document from such a collection, and distribute
|
||||
it individually under this License, provided you insert a copy of this
|
||||
License into the extracted document, and follow this License in all
|
||||
other respects regarding verbatim copying of that document.
|
||||
|
||||
|
||||
7. AGGREGATION WITH INDEPENDENT WORKS
|
||||
|
||||
A compilation of the Document or its derivatives with other separate
|
||||
and independent documents or works, in or on a volume of a storage or
|
||||
distribution medium, does not as a whole count as a Modified Version
|
||||
of the Document, provided no compilation copyright is claimed for the
|
||||
compilation. Such a compilation is called an "aggregate", and this
|
||||
License does not apply to the other self-contained works thus compiled
|
||||
with the Document, on account of their being thus compiled, if they
|
||||
are not themselves derivative works of the Document.
|
||||
|
||||
If the Cover Text requirement of section 3 is applicable to these
|
||||
copies of the Document, then if the Document is less than one quarter
|
||||
of the entire aggregate, the Document's Cover Texts may be placed on
|
||||
covers that surround only the Document within the aggregate.
|
||||
Otherwise they must appear on covers around the whole aggregate.
|
||||
|
||||
|
||||
8. TRANSLATION
|
||||
|
||||
Translation is considered a kind of modification, so you may
|
||||
distribute translations of the Document under the terms of section 4.
|
||||
Replacing Invariant Sections with translations requires special
|
||||
permission from their copyright holders, but you may include
|
||||
translations of some or all Invariant Sections in addition to the
|
||||
original versions of these Invariant Sections. You may include a
|
||||
translation of this License provided that you also include the
|
||||
original English version of this License. In case of a disagreement
|
||||
between the translation and the original English version of this
|
||||
License, the original English version will prevail.
|
||||
|
||||
|
||||
9. TERMINATION
|
||||
|
||||
You may not copy, modify, sublicense, or distribute the Document except
|
||||
as expressly provided for under this License. Any other attempt to
|
||||
copy, modify, sublicense or distribute the Document is void, and will
|
||||
automatically terminate your rights under this License. However,
|
||||
parties who have received copies, or rights, from you under this
|
||||
License will not have their licenses terminated so long as such
|
||||
parties remain in full compliance.
|
||||
|
||||
|
||||
10. FUTURE REVISIONS OF THIS LICENSE
|
||||
|
||||
The Free Software Foundation may publish new, revised versions
|
||||
of the GNU Free Documentation License from time to time. Such new
|
||||
versions will be similar in spirit to the present version, but may
|
||||
differ in detail to address new problems or concerns. See
|
||||
http://www.gnu.org/copyleft/.
|
||||
|
||||
Each version of the License is given a distinguishing version number.
|
||||
If the Document specifies that a particular numbered version of this
|
||||
License "or any later version" applies to it, you have the option of
|
||||
following the terms and conditions either of that specified version or
|
||||
of any later version that has been published (not as a draft) by the
|
||||
Free Software Foundation. If the Document does not specify a version
|
||||
number of this License, you may choose any version ever published (not
|
||||
as a draft) by the Free Software Foundation.
|
||||
|
||||
|
||||
ADDENDUM: How to use this License for your documents
|
||||
|
||||
To use this License in a document you have written, include a copy of
|
||||
the License in the document and put the following copyright and
|
||||
license notices just after the title page:
|
||||
|
||||
Copyright (c) YEAR YOUR NAME.
|
||||
Permission is granted to copy, distribute and/or modify this document
|
||||
under the terms of the GNU Free Documentation License, Version 1.1
|
||||
or any later version published by the Free Software Foundation;
|
||||
with the Invariant Sections being LIST THEIR TITLES, with the
|
||||
Front-Cover Texts being LIST, and with the Back-Cover Texts being LIST.
|
||||
A copy of the license is included in the section entitled "GNU
|
||||
Free Documentation License".
|
||||
|
||||
If you have no Invariant Sections, write "with no Invariant Sections"
|
||||
instead of saying which ones are invariant. If you have no
|
||||
Front-Cover Texts, write "no Front-Cover Texts" instead of
|
||||
"Front-Cover Texts being LIST"; likewise for Back-Cover Texts.
|
||||
|
||||
If your document contains nontrivial examples of program code, we
|
||||
recommend releasing these examples in parallel under your choice of
|
||||
free software license, such as the GNU General Public License,
|
||||
to permit their use in free software.
|
||||
@ -1,3 +1,25 @@
|
||||
|
||||
2000-11-01 Aaron Weber <aaron@helixcode.com>
|
||||
|
||||
* C/config-prefs.sgml: Fixed validation errors.
|
||||
|
||||
* C/apx-gloss.sgml: Fixed HTML, style stuff.
|
||||
|
||||
* C/usage-mail.sgml: Stylistic overhaul.
|
||||
|
||||
* C/usage-mainwindow.sgml: Fixed groups in shortcut bar, fixed
|
||||
folder navigation tips.
|
||||
|
||||
2000-10-31 Aaron Weber <aaron@helixcode.com>
|
||||
|
||||
* C/preface.sgml: Minor stylistic revisions.
|
||||
|
||||
2000-10-30 Aaron Weber <aaron@helixcode.com>
|
||||
|
||||
* COPYING-DOCS: New file. This is the official place to put the
|
||||
FDL now.
|
||||
|
||||
|
||||
2000-11-01 Radek Doulik <rodo@helixcode.com>
|
||||
|
||||
* Keybindings: added composer keybindings description
|
||||
|
||||
Reference in New Issue
Block a user